Edward Frederic Benson (1867-1940), clever, sociable, and film-star handsome, published 65 books—including novels, memoirs, histories, and texts on Ping-Pong and ice-skating—and innumerable ghost stories, essays, reviews, and plays, his effortless production attracting both enough admirers to form the E.F. Benson Society with its newsletter, Dodo, and such talented biographers as Masters—whose 17 books—including lives of Rabelais, Camus, Moliäre, and one mass murderer—help him understand this prolific writer. However affable and charming on the surface, Benson apparently was as secretive, compulsive, egocentric, and sexually dysfunctional as his siblings. They included a sister who killed herself in an insane rage; a Roman Catholic monsignor who fantasized being beaten by Italian police and feared being buried alive; and another brother who was besieged by demons of melancholia and guilt—all of them writing obsessively about themselves, repulsed by human touch, idealizing the kind of hypothetically chaste homosexual relationships their mother preferred after the death of their broodingly depressive father, the Archbishop of Canterbury. Intellectually a trivialist, Benson studied Greek archaeology, mastered figure-skating, visited Capri with various young men, and ended up as the mayor of Rye. His major inventions: David Blaise, a faintly disguised account of his own schoolboy romances; Dodo, whose ``artful prattle'' influenced the expression of youthful society in 1893; the silly and sentimental Lucia and the ``malevolently curious'' Miss Mapp, both the subjects of a series of novels; and an evocation of Edwardian society in As We Were. With respect and sympathy, Masters explores the mania behind Benson's prolific writing—the conflicting motives to express himself and to deflect attention from his own anguish; his drive to control ``the overloaded circuits of his brain,'' writing for therapy, for concealment, for compensation, and producing, ironically, a terrible sense of futility and of unfulfillment. Masters creates a haunting and poignant story of misconstrued literary success, his pace, light touch, and elegant style evocative of Benson himself.
Pub Date: March 15, 1992
ISBN: 0-7011-3566-2
Page Count: 324
Publisher: Chatto & Windus/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1992
BOOK REVIEW
An essential contribution to any discussion of race and likely to be a standard text in cultural studies for years to come.
A compelling, profoundly unsettling blend of memoir and manifesto that proposes that—by design—matters will never improve for African Americans.
To be black, writes Wilderson III, who chairs the African American Studies program at the University of California, Irvine, is not just likely to descend from slaves, but to be forever condemned to the existential condition of a slave. As he writes, “slavery did not end in 1865. It is a relational dynamic…[that] can continue to exist once the settler has left or ceded governmental power.” No other ethnic group—not Native Americans, Asian Americans, Arab Americans, or Hispanic Americans—in the U.S. suffers the same institutional violence, and, Wilderson suggests, all others are more structurally aligned with the white oppressor than with the oppressed African American in a system that hinges on violence. Blending affecting memoir that touches on such matters as mental illness, alienation, exile, and a transcendent maternal love with brittle condemnation of a condition of unfreedom and relentless othering, the author delivers a difficult but necessary argument. It is difficult because it demands that readers of any ethnicity confront hard truths and also because it is densely written, with thickets of postmodern tropes to work through (“blackness is a locus of abjection to be instrumentalized on a whim…a disfigured and disfiguring phobic phenomenon”). The book is deeply pessimistic indeed, as Wilderson rejects any possibility of racial reconciliation in these two-steps-backward times. Perhaps the greatest value of the book is in its posing of questions that may seem rhetorical but in fact probe at interethnic conflicts that are hundreds, even thousands of years old. Wilderson advances a growing body of theory that must be reckoned with and that “has secured a mandate from Black people at their best; which is to say, a mandate to speak the analysis and rage that most Black people are free only to whisper.”
An essential contribution to any discussion of race and likely to be a standard text in cultural studies for years to come.Pub Date: April 7, 2020
ISBN: 978-1-63149-614-1
Page Count: 352
Publisher: Liveright/Norton
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
Flawed but poignant and often funny.
Comedian and Onion director of digital Thurston (Better Than Crying: Poking Fun at Politics, the Press & Pop Culture, 2003) delivers a “book about the ideas of blackness” in the guise of a helpful how-to guide to being black.
The author and a “Black Panel” made up of friends and colleagues, including one white person to avoid charges of reverse discrimination and also as a control group, ponder many questions about being black—e.g., “When did you first realize you were black?” and “Can you swim?” However, the humor does not serve the role of making light of race and racism, but rather as a gentle skewering that invites serious consideration of how black Americans are often limited by certain expectations concerning blackness. In “How to Speak for All Black People,” Thurston challenges the assumption that one black person can speak to the experience of an entire race, as well as the assumption that a black person can only speak to the black experience. In “How to Be the Black Employee,” he confronts the challenges of being hired both for the job and for being black—you will and must be, for instance, featured in every company photo. The humor does not always work; at times it is blog-like cleverness for the sake of cleverness (and is yet another joke about blacks needing white friends to get a cab really needed?). Thurston is at his best when he writes about his own life: growing up in Washington, D.C., attending Sidwell Friends School, matriculating at Harvard (“my experience of race at Harvard was full of joy and excitement”). The key to greater harmony is not necessarily seeing beyond race, but, as one Black Panelist puts it, to “see that and all of the things that I have done, to embrace all of me.”
Flawed but poignant and often funny.Pub Date: Feb. 1, 2012
ISBN: 978-0-06-200321-8
Page Count: 256
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 12, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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