by Frank B. Wilderson III ‧ RELEASE DATE: April 7, 2020
An essential contribution to any discussion of race and likely to be a standard text in cultural studies for years to come.
A compelling, profoundly unsettling blend of memoir and manifesto that proposes that—by design—matters will never improve for African Americans.
To be black, writes Wilderson III, who chairs the African American Studies program at the University of California, Irvine, is not just likely to descend from slaves, but to be forever condemned to the existential condition of a slave. As he writes, “slavery did not end in 1865. It is a relational dynamic…[that] can continue to exist once the settler has left or ceded governmental power.” No other ethnic group—not Native Americans, Asian Americans, Arab Americans, or Hispanic Americans—in the U.S. suffers the same institutional violence, and, Wilderson suggests, all others are more structurally aligned with the white oppressor than with the oppressed African American in a system that hinges on violence. Blending affecting memoir that touches on such matters as mental illness, alienation, exile, and a transcendent maternal love with brittle condemnation of a condition of unfreedom and relentless othering, the author delivers a difficult but necessary argument. It is difficult because it demands that readers of any ethnicity confront hard truths and also because it is densely written, with thickets of postmodern tropes to work through (“blackness is a locus of abjection to be instrumentalized on a whim…a disfigured and disfiguring phobic phenomenon”). The book is deeply pessimistic indeed, as Wilderson rejects any possibility of racial reconciliation in these two-steps-backward times. Perhaps the greatest value of the book is in its posing of questions that may seem rhetorical but in fact probe at interethnic conflicts that are hundreds, even thousands of years old. Wilderson advances a growing body of theory that must be reckoned with and that “has secured a mandate from Black people at their best; which is to say, a mandate to speak the analysis and rage that most Black people are free only to whisper.”
An essential contribution to any discussion of race and likely to be a standard text in cultural studies for years to come.Pub Date: April 7, 2020
ISBN: 978-1-63149-614-1
Page Count: 352
Publisher: Liveright/Norton
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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