by Brian McClellan ‧ RELEASE DATE: Dec. 3, 2019
Solid and absorbing but not the tour de force the Powder Mage trilogy was.
Conclusion to McClellan’s Gods of Blood and Powder fantasy trilogy (Wrath of Empire, 2018, etc.), in which politicking assumes as much importance as magic and armies.
Dynize blood sorcerer Ka-Sedial intends to secure the three ancient monoliths known as godstones in order to make himself into a god, and he invades Fatrasta to capture two of them. Giant warrior Ben Styke, accompanied by Ka-Poel, the mute bone-eye sorcerer (and Ka-Sedial's grandaughter) whose magic can detect the stones, plans to attack Dynize and locate the third godstone. But a storm scatters Styke and Ka-Poel's ships and strands them with only 20 lancers. Worse, the stone is already under Ka-Sedial's control, forcing them to forgo brute force and attempt diplomacy. Ka-Poel's husband, Taniel, despite his near godlike powers, spends most of the book trying to catch up with them. Gen. Vlora Flint, grievously wounded and bereft of her gunpowder magic, burns for revenge yet must engage more Dynize armies and endure political interference. Ex-spy Michel Bravis and Ka-Poel's sister Ichtracia, a Privileged sorcerer, try to learn why so many Palo are mysteriously disappearing. McClellan tells an intriguing tale. Still, alert readers will wonder why the book's villain, having quickly solved his main problem, then does nothing for hundreds of pages and why many of the characters that add salt and spice to the proceedings spend too long offstage or just form wallpaper. True, the author doesn't do politics nearly as effectively as he does magic and battles, and he wrings out few surprising plot twists. His prior novels, with their hero Field Marshal Tamas, cast an unfortunately deep shadow: Tamas is one of the great fantasy heroes of recent years, and nobody here comes close.
Solid and absorbing but not the tour de force the Powder Mage trilogy was.Pub Date: Dec. 3, 2019
ISBN: 978-0-316-40731-1
Page Count: 672
Publisher: Orbit
Review Posted Online: Sept. 1, 2019
Kirkus Reviews Issue: Sept. 15, 2019
Share your opinion of this book
More by Brian McClellan
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Awards & Accolades
Likes
608
Our Verdict
GET IT
New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
Share your opinion of this book
More by Max Brooks
BOOK REVIEW
by Max Brooks
More About This Book
BOOK TO SCREEN
by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Awards & Accolades
Likes
31
Our Verdict
GET IT
New York Times Bestseller
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
Share your opinion of this book
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.