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FIRES OF HINA

From the Songs of the Universe series , Vol. 2

A compelling, cinematic adventure that deftly balances considerable action and ecological concerns.

In Tissot’s speculative novel, when the U.N. allows human exploration of an undeveloped planet, a famous ecological activist rushes to defend its sacred creatures from a global mining corporation.

In 2097, planet Earth is weathering its worst ecological disasters. As the wealthy seek off-world planets to colonize, activist Leilani “Lani” o Puana-Kau and her family do all they can to protect the planet’s remaining whales and raise public awareness. Reeling in the aftermath of her cousin Sage’s death, Lani’s hopes die when Enzo Clark and his squad of whale hunters kill the last humpback: “For the first time in 50 million years there are no whales singing on Earth.” Questioning her vow to Sage to protect the whales, Lani’s spirit churns with anger and failure as her Auntie Nani appears to remind her of the ancestral connection between koholā (whales) and their people and how, through listening to their songs, they can help to restore the ecological balance on Earth. When the U.N. embargo on the virgin planet Thalassa is lifted, Lani assembles a ragtag crew of four women to act as observers—and defenders—of the planet. Her mission is “to make contact with the Nesoi, then study their songs” (the Nesoi are seal-like creatures native to Thalassa). But Orion Anderson (founder of Tasman Biotech) and his crew are on the first ship out of the portal, determined to plunder the planet’s resources to combat climate change while making a profit. The Cutten Transpace Enterprises team arrives with a fleet of ships to mine the abundant natural resources, threatening the survival of both Lani and Orion’s groups. As the harsh moon Hina approaches, both Lani and the Nesoi seal T’daya must conquer personal trials to prevent the planet’s destruction.

Tissot creates a compelling, deadly off-world planet, filled with majestic and monstrous sea creatures, well-suited to host the battles between cetaceans and Enzo’s enemy forces (who are working for the Cutten group). The cosmic connections and Indigenous beliefs are explored with care and optimism. The narrative alternately follows Lani and Orion before surprising the reader with T’daya’s perspective, which provides insight into the Nesoi’s matriarchal clans. While the seals’ communications with each other veer into Yoda cadence, there are touching, cinematic scenes featuring the creatures. (The bioluminescent library, a deep cave archive of pulsing patterns tracing each Covenant leader and their use of “math and astronomy” to track lunar cycles, is vividly rendered.) Lani and Orion’s motives remain static for much of the action, however, and the attraction that develops between them feels misplaced. Though Lani’s character shines when explaining her discoveries, Tissot relies on telling rather than showing her turbulent journey toward practicing “No fear, only love.” Orion is more complex, as he balances the weight of his father’s legacy with the drive to be “a household name [...] worth killing for.” Both are bolstered by lively crews, with Youxia pilot Mai offering comic relief in her music choices, though Enzo is almost comically villainous: “His black eyes were like pits of coal.” A compelling, cinematic adventure that deftly balances considerable action and ecological concerns.

Pub Date: N/A

ISBN: N/A

Page Count: 323

Publisher: Self

Review Posted Online: Aug. 22, 2025

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

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  • New York Times Bestseller

A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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ARTEMIS

One small step, no giant leaps.

Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.

Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”

One small step, no giant leaps.

Pub Date: Nov. 14, 2017

ISBN: 978-0-553-44812-2

Page Count: 320

Publisher: Crown

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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