Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2017

Next book

CLEAR SEEING PLACE

STUDIO VISITS

An original and stimulating memoir that takes readers into the mind and heart of an artist.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2017

In this debut chronicle, an abstract painter offers a vivid look into a working studio and the development of his own artistic vision.

To many nonartists, abstract art may seem to be the most inaccessible of all forms, as it often lacks familiar images to cling to. To Rutenberg, however, abstraction represents a way of bringing the world up-close, so that one not only sees, but feels its integral parts. “Art happens,” Rutenberg states, “when the intellectual and the visceral collide so violently that they fuse into a third thing.” His love of art is palpable in this book, which serves as a companion piece to his YouTube series, “Brian Rutenberg Studio Visits.” He only sparsely describes the events of his own life, but he lavishly and lovingly dissects his growth as an artist, from his childhood compositions, created out of marsh mud and colored paper on hot summer days on the South Carolina coast, to later canvases that he stabbed with an ice pick in his loft studio in Manhattan. Alongside this deeply personal story, Rutenberg also offers a down-to-earth course on the transcendent power of art, presenting a wide range of examples, including works by Pablo Picasso and pianist Glenn Gould. The text is peppered with memorable passages, such as “All artists live in the gap between what they imagine and produce,” “When the effortless appears difficult, it’s entertainment. When the difficult appears effortless, it’s art,” and “An artist’s job is to monkey with stuff. We don’t seek solutions but problems. We play because we can.” Rutenberg’s love of his work is infectious, and his analyses of artistic issues are engaging and appealing, never indulging in the elitism that some may associate with the world of fine art. His delight in his chosen craft also counters the myth of the tortured artist, although a slightly less rosy perspective and a few more details about life’s challenges might have added a welcome touch of realism. All in all, however, it’s an exhilarating treatise on how to really “see” the world.

An original and stimulating memoir that takes readers into the mind and heart of an artist.

Pub Date: Oct. 19, 2016

ISBN: 978-0-9974423-0-4

Page Count: 322

Publisher: Permanent Green

Review Posted Online: May 15, 2017

Kirkus Reviews Issue: June 15, 2017

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview