Remarkable and persuasive biological speculations framed by an intriguing human setup: despite the heavy-ish exposition and...

DARK ARARAT

Addition to Stableford’s expanding future history (The Cassandra Complex, 2001, etc.). Starship Hope took 700 years to reach a habitable planet 58 light-years from Earth, during which time the ship’s multigenerational crew watched over colonists preserved in suspended animation. Recently, however, a revolution has occurred. The crew’s present generation is determined to wake all the colonists and ship them down to the planet as quickly as possible before departing to seek other habitable worlds. But the planet’s purple bioforms do not contain DNA; they’re part animal, part plant, often poisonous, and have no recognizable species—they don’t even have sex! The colonists already down on the planet cannot agree whether humans can adapt to this world—especially when explorers discover a huge abandoned city in the purple-glass jungle. Are these intelligent natives extinct? If not, so goes the argument, should humans attempt to colonize their world? Another complication: one of the researchers exploring the abandoned city, ecologist Bernal Delgado, has been murdered. To this confusing situation wake Matthew Fleury, prophet, broadcaster and Delgado’s replacement, and policeman Vince Solari. Once they arrive at the research outpost, Vince contemplates seven suspects, none of whom shows any interest in identifying the murderer in their midst. Matthew struggles to understand the planet’s “serial chimeras” with their highly complex genetic code, plastic morphology, and constantly shifting genetic relationships, not to mention Delgado’s cryptic notes and the alien artifacts he discovered, among which is the glass spearhead that killed him.

Remarkable and persuasive biological speculations framed by an intriguing human setup: despite the heavy-ish exposition and deliberate pace, this is topnotch intellectual science fiction.

Pub Date: March 1, 2001

ISBN: 0-765-30168-7

Page Count: 352

Publisher: Tor

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2002

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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With its bug-eyed monsters, one might think Dune was written thirty years ago; it has a fantastically complex schemata and...

DUNE

This future space fantasy might start an underground craze.

It feeds on the shades of Edgar Rice Burroughs (the Martian series), Aeschylus, Christ and J.R. Tolkien. The novel has a closed system of internal cross-references, and features a glossary, maps and appendices dealing with future religions and ecology. Dune itself is a desert planet where a certain spice liquor is mined in the sands; the spice is a supremely addictive narcotic and control of its distribution means control of the universe. This at a future time when the human race has reached a point of intellectual stagnation. What is needed is a Messiah. That's our hero, called variously Paul, then Muad'Dib (the One Who Points the Way), then Kwisatz Haderach (the space-time Messiah). Paul, who is a member of the House of Atreides (!), suddenly blooms in his middle teens with an ability to read the future and the reader too will be fascinated with the outcome of this projection.

With its bug-eyed monsters, one might think Dune was written thirty years ago; it has a fantastically complex schemata and it should interest advanced sci-fi devotees.

Pub Date: Oct. 15, 1965

ISBN: 0441013597

Page Count: 411

Publisher: Chilton

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Oct. 1, 1965

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