A deeply satisfying but bleak, dark work; its only illumination are flashes of high tragedy and perhaps the glimmers of a...

READ REVIEW

THE LAST MORTAL BOND

From the Chronicle of the Unhewn Throne series , Vol. 3

Humanity teeters toward doom in the concluding Chronicle of the Unhewn Throne (The Providence of Fire, 2015, etc.).

The invading Urghul army nears the heart of the crumbling Annurian empire, led by Long Fist, the human host of Meshkent, the god of pain. The Annurian general, Ran il Tornja, appears to be defending the empire, but his main goal is to kill both Long Fist and the courtesan Triste, the human host of Ciena, goddess of pleasure. Doing so will exterminate most of humanity while potentially converting the remainder to il Tornja’s own kind, the long-lived, emotionless Csestriim. Kaden, the abdicated emperor, abandons his ineffectual attempts at politics and devotes himself to protecting Meshkent and Ciena’s hosts. His sister, Adare, the self-declared new emperor, rallies Annur’s defenses and tries to defuse the plots of il Tornja, her baby’s father. Her brother Valyn, betrayed by Adare and blinded by il Tornja, searches both for a purpose and the death of Balendin, Long Fist’s deputy, a leach whose magical power feeds on pain and terror. Many classic epic fantasies have concluded with the defeat of the Big Bad, followed by the wiping away of pain and terror and the start of a glorious, happy future for the hero. This novel lays out a much more plausible truth: it’s difficult forging a future on a nation ruined by war and civil unrest; the past’s consequences persist. No one is wholly good or wholly bad, and sometimes, even when protagonists have reached the very limits of their strength to earn their happy endings, there is no happy ending available, no matter how deserving they are of such a thing.

A deeply satisfying but bleak, dark work; its only illumination are flashes of high tragedy and perhaps the glimmers of a realistic but not far-ranging hope.

Pub Date: March 15, 2016

ISBN: 978-0-7653-3642-2

Page Count: 656

Publisher: Tor

Review Posted Online: Jan. 10, 2016

Kirkus Reviews Issue: Jan. 15, 2016

Did you like this book?

No Comments Yet

A kicky, kinky, wildly inventive 21st-century mashup with franker language and a higher body count than Hamlet.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

SHAKESPEARE FOR SQUIRRELS

Manic parodist Moore, fresh off a season in 1947 San Francisco (Noir, 2018), returns with a rare gift for Shakespeare fans who think A Midsummer Night’s Dream would be perfect if only it were a little more madcap.

Cast adrift by pirates together with his apprentice, halfwit giant Drool, and Jeff, his barely less intelligent monkey, Pocket of Dog Snogging upon Ouze, jester to the late King Lear, washes ashore in Shakespeare’s Athens, where Cobweb, a squirrel by day and fairy by night, takes him under her wing and other parts. Soon after he encounters Robin Goodfellow (the Puck), jester to shadow king Oberon, and Nick Bottom and the other clueless mechanicals rehearsing Pyramus and Thisby in a nearby forest before they present it in celebration of the wedding of Theseus, Duke of Athens, to Hippolyta, the captive Amazon queen who’s captured his heart, Pocket (The Serpent of Venice, 2014, etc.) finds Robin fatally shot by an arrow. Suspected briefly of the murder himself, he’s commissioned, first by Hippolyta, then by the unwitting Theseus, to identify the Puck’s killer. Oh, and Egeus, the Duke’s steward, wants him to find and execute Lysander, who’s run off with Egeus’ daughter, Hermia, instead of marrying Helena, who’s in love with Demetrius. As English majors can attest, a remarkable amount of this madness can already be found in Shakespeare’s play. Moore’s contribution is to amp up the couplings, bawdy language, violence, and metatextual analogies between the royals, the fairies, the mechanicals, his own interloping hero, and any number of other plays by the Bard.

A kicky, kinky, wildly inventive 21st-century mashup with franker language and a higher body count than Hamlet.

Pub Date: May 12, 2020

ISBN: 978-0-06-243402-9

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

No Comments Yet

THE NIGHT CIRCUS

Self-assured, entertaining debut novel that blends genres and crosses continents in quest of magic.

The world’s not big enough for two wizards, as Tolkien taught us—even if that world is the shiny, modern one of the late 19th century, with its streetcars and electric lights and newfangled horseless carriages. Yet, as first-time novelist Morgenstern imagines it, two wizards there are, if likely possessed of more legerdemain than true conjuring powers, and these two are jealous of their turf. It stands to reason, the laws of the universe working thus, that their children would meet and, rather than continue the feud into a new generation, would instead fall in love. Call it Romeo and Juliet for the Gilded Age, save that Morgenstern has her eye on a different Shakespearean text, The Tempest; says a fellow called Prospero to young magician Celia of the name her mother gave her, “She should have named you Miranda...I suppose she was not clever enough to think of it.” Celia is clever, however, a born magician, and eventually a big hit at the Circus of Dreams, which operates, naturally, only at night and has a slightly sinister air about it. But what would you expect of a yarn one of whose chief setting-things-into-action characters is known as “the man in the grey suit”? Morgenstern treads into Harry Potter territory, but though the chief audience for both Rowling and this tale will probably comprise of teenage girls, there are only superficial genre similarities. True, Celia’s magical powers grow, and the ordinary presto-change-o stuff gains potency—and, happily, surrealistic value. Finally, though, all the magic has deadly consequence, and it is then that the tale begins to take on the contours of a dark thriller, all told in a confident voice that is often quite poetic, as when the man in the grey suit tells us, “There’s magic in that. It’s in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict.” Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.

 

Pub Date: Sept. 13, 2011

ISBN: 978-0-385-53463-5

Page Count: 384

Publisher: Doubleday

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

Did you like this book?

more