Familiar superhero tropes, remarkably, do not impair a smart jet-set thriller of geopolitics, high-finance crimes, and...
An ace British crime-solver-turned-historian is drawn into deadly international intrigue with assassins, powerful bankers, members of Parliament, rogue military, and the CIA.
Tucker’s follow-up to An Essential Deception (2013) brings to the fore the earlier thriller’s considerably paranormal backstory elements. England is still recovering from tumult following the abduction of the prime minister, a case solved by supersleuth-historian Dr. Hanson Shaw, formerly of Scotland Yard. “Super” sleuth turns out to be quite literal. Three decades earlier, the child Hanson was accidentally exposed to an experiment using unknown, ancient technology. It took place after famed “international financier and luminary” Sheldon Wilde had rediscovered, in southern Greek mountain caves, an astonishing, still-functioning construction from prehistoric times. Resembling a pipe organ blended with a gothic cathedral, the cryptic relic, or “artefact,” collects wind energy to produce harmonics and frequencies so uncanny, humans who listen may evolve augmented intellect, acuity, charisma, ambition, extreme longevity, or they can die horribly or turn into psychopaths. Among those ancients who heard this transformative “clamorous blast from hell” in varying degrees: Plato, Aristotle, Socrates, Julius Caesar, and Alexander the Great. Before walling up the location, Wilde and Hanson’s grandfather recorded the sound on magnetic tape for research back on home soil. Little 3-year-old Hanson, gadding about his family’s premises in Scotland, heard a full dose, which knocked the young lad unconscious. Adult Dr. Shaw still contends with crippling migraines and fainting spells, but he also benefits from visions, cosmic insights, and enhanced fighting skills. Now, with high-profile assassinations of prominent British military officers crossing his mind’s eye, Dr. Shaw must investigate. A subplot involves the ruthless rise of a Chinese banker named Napoleon; an economy-staggering, $30 trillion Asian-debt bubble; high treason among members of Parliament; an unethical London doctor getting rich by mishandling a medical miracle; and, in America, a slimy CIA director trying to keep his job by tempting the U.S. president with schemes to discover how the eminent financier and luminary Sheldon Wilde manages to stay active and vibrant—at age 115.
Crossing multiple time zones, the mystic adventure may put one in mind as much of Jeffrey Archer as Dan Brown, with its rarefied atmosphere of Europe’s ultra-posh and high-stakes financial/political games playing out in labyrinthine form among the world’s latter-day Olympus of wealthy and/or famous elites. Plot complications and time-trips revert back to the Renaissance and well before that—and yes, a unique art-appreciation lesson on a Raphael fresco weaves into the novel marvelously. Tucker ably juggles elaborate exposition on multiple stages and keeping all the plates spinning; prior reader association with An Essential Deception isn’t absolutely essential to enjoy the pages turning and the plot cogwheels meshing like an Archimedes device. Dialogue, characterizations, and overall epoch-crossing scope are rendered with intelligence, and the delving into classical antiquities and an “artefact” potentially shaping the destiny of humankind truly captivates the imagination rather than just being the umpteenth pulpy genre device about some kid suffering a lab mishap and turning into a reluctant superhero. Have no fear, this material exists on a higher level. The story wraps up most satisfyingly but clearly has room to add further episodes to ascend to a potential series pantheon.
Familiar superhero tropes, remarkably, do not impair a smart jet-set thriller of geopolitics, high-finance crimes, and murder.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Nov. 28, 2025
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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