A refreshing depiction of drama turned positive, this series opener is perfect for young entrepreneurs.

THE STARTUP SQUAD

From the Startup Squad series

Can Resa Lopez learn to balance leadership and teamwork in time to run a successful business that wins the school contest?

When Resa finds out that the sixth-grade trip is to Adventure Central and that the team whose lemonade stand raises the most money for the trip gets QuickTix—wait-free access to all the thrilling rides—she is beyond excited. She and her best friend, Didi Singh, are happy to be on the same team, but Resa quickly judges their other team members wanting: unreliable fashionista Harriet Nguyen and quiet Amelia Grant, the new girl. Resa assumes that Amelia is “stuck-up” because she doesn’t speak much, but Amelia finds her voice when Resa insists on bossing everyone around. Didi normally tries to smooth things over on Resa’s behalf, but even she gets fed up with Resa’s attitude. The team’s setbacks and failures are almost unbearable, but the chuckleworthy snark will keep readers going. The team members learn not only about listening to each other, using their strengths, and stepping out of their comfort zones, but also about important business skills such as marketing and location, which are expounded upon in an endnote. Resa makes for a daringly flawed early-middle-grade protagonist, with room for growth that’s realized satisfyingly. Resa (Teresa) is Afro-Latina, Didi (Indira) is Indian, Amelia is white, and Harriet is Asian.

A refreshing depiction of drama turned positive, this series opener is perfect for young entrepreneurs. (Fiction. 8-12)

Pub Date: May 7, 2019

ISBN: 978-1-250-18040-7

Page Count: 176

Publisher: Imprint

Review Posted Online: March 26, 2019

Kirkus Reviews Issue: April 15, 2019

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Certain to steal hearts.

THE ONE AND ONLY RUBY

In this follow-up to 2020’s The One and Only Bob, Ruby the elephant is still living at Wildworld Zoological Park and Sanctuary.

She’s apprehensive about her Tuskday, a rite of passage for young elephants when she’ll give a speech in front of the rest of the herd. Luckily, she can confide in her Uncle Ivan, who is next door in Gorilla World, and Uncle Bob, the dog who lives nearby with human friend Julia. Ruby was born in an unspecified part of Africa, later ending up on display in the mall, where she met Ivan, Bob, and Julia. The unexpected arrival of someone from Ruby’s past life on the savanna revives memories both warmly nostalgic and deeply traumatic. An elephant glossary and Castelao’s charming, illustrated guide to elephant body language help immerse readers in Ruby’s world. Goofy, playful, and mischievous Ruby is fully dimensional, as she has shown her bravery during the many hardships of her young life. Applegate deftly tempers themes of grief and loss with compassion and humor as Ruby finds her place in the herd. The author’s note touches on climate change, the illegal ivory trade, and conservation efforts, but the highly emotive framing of the story through the memories of a bewildered baby elephant emphasizes the impact of lines such as “ ‘in Africa,’ I say softly, ‘there were bad people,’ ” without offering readers a nuanced understanding of the broader context that drives poaching.

Certain to steal hearts. (Fiction. 8-12)

Pub Date: May 2, 2023

ISBN: 9780063080089

Page Count: 240

Publisher: Harper/HarperCollins

Review Posted Online: March 13, 2023

Kirkus Reviews Issue: April 1, 2023

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Which raises the last question: of a satirical stance in lieu of a perspective.

ARE YOU THERE GOD? IT'S ME, MARGARET.

The comical longings of little girls who want to be big girls—exercising to the chant of "We must—we must—increase our bust!"—and the wistful longing of Margaret, who talks comfortably to God, for a religion, come together as her anxiety to be normal, which is natural enough in sixth grade.

And if that's what we want to tell kids, this is a fresh, unclinical case in point: Mrs. Blume (Iggie's House, 1969) has an easy way with words and some choice ones when the occasion arises. But there's danger in the preoccupation with the physical signs of puberty—with growing into a Playboy centerfold, the goal here, though the one girl in the class who's on her way rues it; and with menstruating sooner rather than later —calming Margaret, her mother says she was a late one, but the happy ending is the first drop of blood: the effect is to confirm common anxieties instead of allaying them. (And countertrends notwithstanding, much is made of that first bra, that first dab of lipstick.) More promising is Margaret's pursuit of religion: to decide for herself (earlier than her 'liberal' parents intended), she goes to temple with a grandmother, to church with a friend; but neither makes any sense to her—"Twelve is very late to learn." Fortunately, after a disillusioning sectarian dispute, she resumes talking to God…to thank him for that telltale sign of womanhood.

Which raises the last question: of a satirical stance in lieu of a perspective.

Pub Date: Oct. 1, 1970

ISBN: 978-1-4814-1397-8

Page Count: 157

Publisher: Bradbury

Review Posted Online: Oct. 15, 2011

Kirkus Reviews Issue: Oct. 1, 1970

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