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YOU & ME AT THE END OF THE WORLD

Opposites attract in this engrossing romance.

Two teens puzzle out their strange circumstances when they appear to be the only two people left on Earth.

Seventeen-year-old Hannah Ashton is a serious ballet dancer on the brink of an audition that will launch her professional career when she wakes up to discover the world basically unchanged—except that she is totally alone in her home city of Houston. After five days of anxious solitude, she is filled with relief when she encounters Leo Sterling, a cute fellow senior she barely knows from school, at a music store next to her best friend’s family’s bookstore. Leo, a free-spirited musician who plays in a band known for their ’80s hair metal covers, has known Hannah from afar only as “Ballet Chick,” but once they meet, they are immediately drawn to one another. Alternating chapters in introspective first-person narration juxtapose their respective thoughts. As events unfold, readers get to know their drastically different ways of coping—which are in overdrive as they try to navigate environmental changes in the strange, lonely world they now inhabit. Romance fans will thrill to the slow smolder of their drawn-out attraction, which twists and turns its way through psychological drama that, while unsubtle, is offset by the effective mystery of their isolated situation. Hannah and Leo are White.

Opposites attract in this engrossing romance. (Romance. 12-18)

Pub Date: July 20, 2021

ISBN: 978-1-338-71263-6

Page Count: 368

Publisher: Scholastic

Review Posted Online: April 29, 2021

Kirkus Reviews Issue: May 15, 2021

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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