The premise may not be exactly new (see, for instance, Laya Steinberg’s Thesaurus Rex, illustrated by Debbie Harter, 2003),...
When a stegothesaurus meets an allothesaurus, the results can be dicey, hazardous, problematical.
Unlike his mostly monosyllabic kin, Stegothesaurus relishes words as well as shrubbery—not just “Yummy,” but “Savory, succulent, scrumptious.” So it is that when a predator attacks he can’t gallop off until he comes up with a suitable “F-f-f-frightening, formidable, fearsome.” To his amazement, his toothy adversary responds, “Hulking, hefty, humongous.” Yes, she’s not a common allosaurus but an “allothesaurus” and seemingly a kindred soul. In the very simply drawn cartoon scenes, McBeth pins bow ties on the prehistoric pedants (the allothesaurus has dainty eyelashes) and sends them off together on an orgy of synonymizing. It looks like the beginning of a beautiful, lovely, resplendent friendship…until Stegothesaurus asks how Allothesaurus learned so many words and she admits that it must have been that other stegothesaurus she ate. Uh-oh. It’s a good time, moment, instant to “Ruuuuuuuuuuuuun!” Happily, Heos lets her wordy, prolix, logorrheic dino survive to munch another day.
The premise may not be exactly new (see, for instance, Laya Steinberg’s Thesaurus Rex, illustrated by Debbie Harter, 2003), but exercises in clever wordplay are always fresh, animated, enlivening. (Picture book. 6-8)Pub Date: June 12, 2018
ISBN: 978-1-250-13488-2
Page Count: 40
Publisher: Henry Holt
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
After a promising start, this autumnal offering ultimately disappoints.
Change is on the horizon for a trio of leaves at home in the branches of various trees in a park.
When the air grows chilly, Birch, Oak, and Maple all experience different emotions. Birch is optimistic and expectant, Oak is cautious and reluctant, and obstinate Maple feels left out as the other leaves change colors but she doesn’t. Illustrations rendered in acrylic gouache, colored pencil, and collage depict endearingly anthropomorphized leaves, with autumnal colors that pop. As the leaves learn more about fall from a pair of knowledgeable squirrels, Maple’s slow change to red is overshadowed by her impatience to join her friends. It’s only when she pulls herself free that she learns about the downside of fall—namely, the bottoms of boots, rain gutters, and rakes. Much like the shift from the bright crisp early days of autumn to the damp cold ones later in the season, it’s here that the story changes, going from a surprisingly nuanced examination of growth to something fluffy and less interesting. A young girl with straight black hair and tan skin finds the fallen leaves and takes them home, where she draws them as anthropomorphic characters, and all discussion of the importance of change is lost. Caregivers looking for a springboard to a discussion about growing up and the uncertainty of change may find this useful, but its sputtering ending detracts from its early momentum. Maybe next year will bring a more promising crop of leaves. (This book was reviewed digitally.)
After a promising start, this autumnal offering ultimately disappoints. (Picture book. 6-8)Pub Date: Aug. 2, 2022
ISBN: 978-0-358-41945-7
Page Count: 40
Publisher: Clarion/HarperCollins
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
A solo debut for Wenzel showcasing both technical chops and a philosophical bent.
Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?
The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.
A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4521-5013-0
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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