Grieving a dead parent is made even more unbearable by a zombie outbreak only Zharie seems to notice.
Zharie and her mother were the only Black women on the West Coast Swing dance floor, but after her mother’s death, Zharie is alone in other ways, questioning everything about her mom’s death, especially why no one else noticed she morphed into a zombie as she died. Now Zharie sees zombies everywhere, unsure if everyone else is oblivious, if it’s all a side effect of playing the Cranberries on repeat, or if it’s psychosis brought about by obvious trauma. But when Bo, a charming Black and Vietnamese boy, moves in above the apartment she’s sharing with her emotionally distant aunt, Zharie notices that half of him seems to be a decaying corpse—but only sometimes. The other half is the cute boy she wants to get to know better, if only because he’s an anomaly in this one-sided zombie apocalypse. Zharie narrates this mindfully haunting story with a sharp attention to sensory details, emphasizing the visceral shifts from living to undead and back; for Zharie, being close to Bo, with his soft lips and disarming smile, can quickly become proximity to death, gore, and a pungent stench. Still, she perseveres, learning that zombies are less a threat and more a symbol of heartbreak, but unfortunately there’s more to come as she uncovers the circumstances surrounding her mother’s final days.
A terrifyingly grounded accounting of the monsters that haunt us. (Horror. 13-18)Pub Date: Aug. 9, 2022
ISBN: 978-1-368-07583-1
Page Count: 368
Publisher: Disney-Hyperion
Review Posted Online: June 8, 2022
Kirkus Reviews Issue: July 1, 2022
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Rachel, a 16-year-old trauma survivor, is initiated into her private school’s secret society for horror fans.
A year after surviving a violent attack, high school junior Rachel Chavez becomes the new girl at Manchester Prep on Manhattan’s affluent Upper East Side. The middle-class daughter of a faculty member, Rachel feels invisible except for her one new friend, harmless school gossip Saundra Clairmont. After a school party ends in a ghost story, a séance, and screaming, Rachel—who immersed herself in horror movies as a coping device—notices a prankster amid the chaos. Soon, she is initiated into the Mary Shelley Club, a tightknit group that requires secrecy and rule-following from its members. She joins Freddie Martinez, a film geek on scholarship; hot-tempered, Stephen King–adoring Felicity Chu; charming Thayer Turner, whose political family is compared to the Obamas; and brooding golden boy Bram Wilding. Mostly the teens just watch all sorts of horror films—classics, slasher, zombie, psychological—but membership also involves more sinister activities. Moldavsky’s tightly plotted tale weaves in dark humor, an impressive amount of horror trivia, and insightful references to Frankenstein. Readers will quickly become invested in Rachel’s story even when she’s making difficult-to-witness mistakes. The characters are notably diverse; issues of ethnicity and social class are naturally woven into the story.
An atmospheric page-turner about loving scary movies, longing to belong, and uncovering the many masks people wear. (Horror. 14-18)Pub Date: April 13, 2021
ISBN: 978-1-250-23010-2
Page Count: 480
Publisher: Henry Holt
Review Posted Online: Feb. 5, 2021
Kirkus Reviews Issue: March 1, 2021
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A gut-wrenching look at how addiction affects a family and a town.
Emory Ward, 16, has long been invisible. Everyone in the town of Mill Haven knows her as the rich girl; her workaholic parents see her as their good child. Then Emory and her 17-year-old brother, Joey, are in a car accident in which a girl dies. Joey wasn’t driving, but he had nearly overdosed on heroin. When Joey returns from rehab, his parents make Emory his keeper and try to corral his addictions with a punitive list of rules. Emory rebels in secret, stealing small items and hooking up with hot neighbor Gage, but her drama class and the friends she gradually begins to be honest with help her reach her own truth. Glasgow, who has personal experience with substance abuse, bases this story on the classic play Our Town but with a twist: The characters learn to see and reach out to each other. The cast members, especially Emory and Joey, are exceptionally well drawn in both their struggles and their joys. Joey’s addiction is horrifying and dark, but it doesn’t define who he is. The portrayal of small-town life and its interconnectedness also rings true. Emory’s family is White; there is racial diversity in the supporting cast, and an important adult mentor is gay. Glasgow mentions in her author’s note that over 20 million Americans struggle with substance abuse; she includes resources for teens seeking help.
Necessary, important, honest, loving, and true. (Fiction. 14-18)Pub Date: Sept. 28, 2021
ISBN: 978-0-525-70804-9
Page Count: 400
Publisher: Delacorte
Review Posted Online: June 29, 2021
Kirkus Reviews Issue: July 15, 2021
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