THE SEMICOLON

Name: THE SEMICOLON
Author: Britt Sayler
ISBN: 9781039120679

by Britt Sayler ; illustrated by Dorota Rewerenda ‧ RELEASE DATE: Aug. 29, 2022

In Sayler’s debut children’s book, a youngster is at a loss after their father’s departure but finds unexpected solace in a punctuation mark.

Every night “after Dad left,” the unnamed narrator has dreamt of a black pit that swallows everything, including them. One day, Mr. Smeechie, the protagonist’s father’s teaching colleague, drops by and gives the child a copy of their father’s grammar book, along with a quick lesson. Two nights later, the child has the same nightmare, but this time, punctuation marks offer support to navigate the darkness. When they learn of their father’s favorite symbol, the semicolon, it helps them reach a place of fond memories: “I saw the black pit…But I also saw the comma, the raft that meant there was a way across.” Rewerenda’s dark, wondrous illustrations sensitively depict the protagonist’s shifting emotions; the narrator is depicted as light skinned and slim, with shoulder-length black hair, and Mr. Smeechie is portrayed as brown skinned with glasses and a beard. Overall, the book offers a great way to encourage young people with grief and depression to open up. It also shows that not having the words to describe one’s feelings is a common part of life and that there are always ways to carry on.

A heartfelt story of navigating emptiness and finding hope for the future.

Pub Date: Aug. 29, 2022

ISBN: 9781039120679

Page Count: 36

Publisher: FriesenPress

Review Posted Online: Nov. 29, 2022

Review Program: Kirkus Indie

Categories: CHILDREN'S FAMILY | CHILDREN'S CONCEPTS

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Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

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CARPENTER'S HELPER

by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 13, 2021

Kirkus Reviews Issue: Feb. 1, 2021

Categories: CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY

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While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)