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THE SEMICOLON

A heartfelt story of navigating emptiness and finding hope for the future.

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In Sayler’s debut children’s book, a youngster is at a loss after their father’s departure but finds unexpected solace in a punctuation mark.

Every night “after Dad left,” the unnamed narrator has dreamt of a black pit that swallows everything, including them. One day, Mr. Smeechie, the protagonist’s father’s teaching colleague, drops by and gives the child a copy of their father’s grammar book, along with a quick lesson. Two nights later, the child has the same nightmare, but this time, punctuation marks offer support to navigate the darkness. When they learn of their father’s favorite symbol, the semicolon, it helps them reach a place of fond memories: “I saw the black pit…But I also saw the comma, the raft that meant there was a way across.” Rewerenda’s dark, wondrous illustrations sensitively depict the protagonist’s shifting emotions; the narrator is depicted as light skinned and slim, with shoulder-length black hair, and Mr. Smeechie is portrayed as brown skinned with glasses and a beard. Overall, the book offers a great way to encourage young people with grief and depression to open up. It also shows that not having the words to describe one’s feelings is a common part of life and that there are always ways to carry on.

A heartfelt story of navigating emptiness and finding hope for the future.

Pub Date: Aug. 29, 2022

ISBN: 9781039120679

Page Count: 36

Publisher: FriesenPress

Review Posted Online: Nov. 29, 2022

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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HOW TO CATCH A MAMASAURUS

From the How To Catch… series

A syrupy tribute to mothers that may please fans of the series.

Another creature is on the loose.

The long-running series continues its successful formula with this Hallmark card of a book, which features bright illustrations and catchy rhymes. This time, the mythical creature the racially diverse children set out to catch is an absent mom who does it all (lists of descriptors include the words banker, caregiver, nurse, doctor, driver, chef, housekeeper, teacher, entertainer, playmate, laundry service, problem solver, handywoman, cleaner, and alarm clock) but doesn’t seem to have a job outside the home and is inexplicably a dinosaur. As the children prepare gifts and a meal for her, the text becomes an ode to the skills the Mamasaurus possesses (“Day or night she’s always there. / She meets every wish and need”) and values she instills (“Sometimes life can mean hard work,” “kindness matters,” and “what counts is doing your best”). This well-intentioned selection veers into cliche generously sprinkled with saccharine but manages to redeem itself with its appreciation for mothers and all that they may do. Endpapers include a “to” and “from” page framed in a heart, as well as a page where young gift givers or recipients can draw a picture of their Mamasaurus.

A syrupy tribute to mothers that may please fans of the series. (Picture book. 3-6)

Pub Date: March 5, 2024

ISBN: 9781728274300

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Dec. 6, 2023

Kirkus Reviews Issue: Jan. 1, 2024

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