A brief but poignant memoir.
A nonfiction writer and teacher’s debut memoir about a loving but fraught relationship with her brother and the addiction to drugs they both shared.
Ackerman’s early childhood in New York was mostly happy, marred only by the occasional envy she felt for her older brother Skyler’s elaborate Lego constructions. “Life is so comfortable,” she writes about that time, “so nice, so perfectly placed out in front of us.” But beneath the facade of comfortable routine, cracks began to appear that Ackerman could not understand. One morning, her mother suddenly threatened to drive the car into the Hudson River. Sometimes her parents fought or behaved in ways that seemed cruel, and occasionally, her mother pushed her unwilling brother to do things like skate across the ice too fast in skates too big for his feet because she wanted her son to “earn accomplishments” and “be the best.” Worse still, her brother seemed to be growing up faster than she was, leaving her to feel that she was trapped in perpetual childhood. The author’s consolation was that Skyler would be there to save her, just as the perpetual motion machine he had created for a science class would save humanity when the world “stop[ped] spinning.” After the family moved to Florida, her and her brother’s lives took a turn for the worse. Skyler, “the ‘A’ student...[and] next big deal,” began to experiment with alcohol and then drugs. Following suit, Ackerman began dealing marijuana when she entered her teens and then later became a junkie who got high on everything from MDMA to oxycodone. But where her brother sank into a suicidal depression that took over his life, the author gradually found her way back to a fragile sobriety. Told in simple, spare language, Ackerman’s story is powerful not only for the story it tells, but also for the eloquent silences and chronological ruptures that symbolize the painfully fractured nature of her life and that of her brother.
A brief but poignant memoir.Pub Date: Nov. 20, 2018
ISBN: 978-1-59709-691-1
Page Count: 152
Publisher: Red Hen Press
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
In a sure-to-be-controversial book, Hari delivers a weighty, well-supported, persuasive argument against treating depression...
Mining the root causes of depression and anxiety.
Acclaimed British journalist Hari researched and wrote his bestselling debut, Chasing the Scream: The First and Last Days of the War on Drugs (2015), while pushing aside work on a subject that was much too personal to accept and scrutinize at the time. This book, the culmination of a 40,000-mile odyssey and hundreds of hours of interviews with social scientists and depression sufferers (including those who’ve recovered), presents a theory that directly challenges long-held beliefs about depression’s causes and cures. The subject matter is exquisitely personal for the author, since he’d battled chronic melancholy since his teenage years and was prescribed the “chemical armor” of antidepressants well into his young adulthood. Though his dosage increased as the symptoms periodically resurfaced, he continued promoting his condition as a brain-induced malady with its time-tested cure being a strict regimen of pharmaceutical chemicals. Taking a different approach from the one he’d been following for most of his life, Hari introduces a new direction in the debate over the origins of depression, which he developed after deciding to cease all medication and become “chemically naked” at age 31. The author challenges classically held theories about depression and its remedies in chapters brought to life with interviews, personal observations, and field-professional summations. Perhaps most convincing is the author’s thorough explanation of what he believes are the proven causes of depression and anxiety, which include disconnection from work, society, values, nature, and a secure future. These factors, humanized with anecdotes, personal history, and social science, directly contradict the chemical-imbalance hypothesis hard-wired into the contemporary medical community. Hari also chronicles his experiences with reconnective solutions, journeys that took him from a Berlin housing project to an Amish village to rediscover what he deems as the immense (natural) antidepressive benefits of meaningful work, social interaction, and selflessness.
In a sure-to-be-controversial book, Hari delivers a weighty, well-supported, persuasive argument against treating depression pharmaceutically.Pub Date: Jan. 23, 2018
ISBN: 978-1-63286-830-5
Page Count: 336
Publisher: Bloomsbury
Review Posted Online: Oct. 29, 2017
Kirkus Reviews Issue: Nov. 15, 2017
Expanded from a New Yorker article, this long-winded if well-informed tale has less to do with John Laroche, the “thief,” than it does with our author’s desire to craft a comprehensive natural and social history of what the Victorians called “orchidelirium.” Orlean (Saturday Night, 1990) piles anecdote upon detail upon anecdote—and keeps on piling them. Laroche, who managed a plant nursery and orchid propagation laboratory for the Seminole tribe of Hollywood, Fla., was arrested, along with three tribesmen, in 1994 for stealing rare orchids——endangered species——from the Fakahatchee Strand State Preserve. He had intended to clone the rarer ones (in particular, the so-called “ghost orchid”) and sell them on the black market. Always a schemer and an eccentric hobbyist (old mirrors, turtles, and Ice Age fossils all fascinated him), Laroche figured he’d make millions. Found guilty, he was fined and banned from the Fakahatchee; the Seminoles, ostensibly exempt under the “Florida Indian” statute concerning the use of wildlife habitats, pled no contest. But Laroche’s travails form only the framework for Orlean’s accounts of famous and infamous orchid smugglers, hunters, and growers, and for her analyses of the mania for “the most compelling and maddening of all collectible living things.” She traces the orchid’s arrival in the US to 1838, when James Boott of London sent a tropical orchid to his brother in Boston. That collection would eventually be housed at Harvard College. Orlean includes passages on legendary hunter Joseph Hooker, eventually director of the Royal Botanical Gardens; on collectors, such as the man who kept 3,000 rare orchids atop his Manhattan townhouse; and of other floral fanatics. Enticing for those smitten with the botanical history of this “sexually suggestive” flower. As for everyone else, there’s little or no narrative drive to keep all the facts and mini-narratives flowing. (Author tour)
Pub Date: Jan. 1, 1999
ISBN: 0-679-44739-3
Page Count: 320
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1998
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