Another winner featuring the author’s trademark blend of meticulous research and scintillating writing.

ON ANIMALS

The beloved author gathers a wide-ranging selection of pieces about animals.

“Animals have always been my style,” writes Orlean at the beginning of her latest delightful book, a collection of articles that originally appeared in “slightly modified form” in the Atlantic, Smithsonian, and the New Yorker, where she has been a staff writer since 1992. The variety on display is especially pleasing. Some essays are classic New Yorkerprofiles: Who knew that tigers, near extinction in the wild, are common household pets? There are at least 15,000 in the U.S. Her subject, a New Jersey woman, keeps several dozen and has been fighting successful court battles over them for decades. Lions are not near extinction, however; in fact, there are too many. Even in Africa, far more live in captivity or on reserves than in the wild, and readers may be shocked at their fate. Cubs are cute, so animal parks profit by allowing visitors to play with them. With reserves at capacity, cubs who mature may end up shot in trophy hunts or in stalls on breeding farms to produce more cubs. In “The Rabbit Outbreak,” Orlean writes about how rabbit meat was an American staple until replaced by beef and chicken after World War II, whereupon rabbit pet ownership surged. They are now “the third-most-popular pet in the country, ranking just behind dogs and cats.” Readers may be aware of the kerfuffle following the hit movie Free Willythat led to a massive campaign to return the film’s killer whale to the wild, and Orlean delivers a fascinating, if unedifying account. The author handles dogs like a virtuoso, with 10 hilarious pages on the wacky, expensive, but sometimes profitable life of a champion show dog. Among America’s 65 million pet dogs (according to a 2003 report), 10 million go astray every year, and about half are recovered. Orlean engagingly recounts a lost-dog search of epic proportions.

Another winner featuring the author’s trademark blend of meticulous research and scintillating writing.

Pub Date: Oct. 5, 2021

ISBN: 978-1-982181-53-6

Page Count: 288

Publisher: Avid Reader Press

Review Posted Online: July 15, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

TANQUERAY

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 28, 2022

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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