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THE MARRIAGE CODE

A cute premise from a lively new voice in romance.

Two co-workers battle workplace animosity and meddling matchmaking relatives while on a trip to Bangalore in this contemporary romance debut.

Emma Delaney is passionate about one thing and one thing only: her job as an engineer launching a literacy software program called Helix. Unfortunately, the product's launch wasn't as successful as predicted and Helix is in danger of being given to the app development team based in Bangalore, India. Rishi Iyengar is an app dev visiting the Seattle office for a few weeks from Bangalore, and his introduction to the Helix team doesn't go over well. Emma assumes the app team is trying to steal her software while Rishi harbors resentment that Emma got the promotion he was promised. But if Emma wants Helix to succeed, she'll need to get on board with transitioning to an app format, move to Bangalore, and coax Rishi to be her lead developer. They agree to a truce of sorts. If he agrees to be part of the team, she'll help him with one of his biggest concerns, and that's making his family happy by finally finding a wife. Of course, with both Emma and Rishi working in tech, they think the easiest way to accomplish this is by developing a marriage algorithm. There's a lot to like about this romance: a heroine who works in STEM, a workplace rivalry that feels authentic, and a setting we don't often see in the genre. The biggest weakness, unfortunately, is Emma's obliviousness and cringeworthy comments. In one scene, the Kama Sutra somehow appears in her luggage and pops out at an inopportune moment. Emma’s initial insensitivity is a hurdle readers may or may not get over, but there’s an appealing earnestness in her willingness to learn, absorb, and embrace the experiences Bangalore has to offer.

A cute premise from a lively new voice in romance.

Pub Date: Jan. 1, 2021

ISBN: 978-1-5420-2507-2

Page Count: 383

Publisher: Montlake Romance

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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JUST FRIENDS

A romance that could have used significant rethinking.

Childhood friends, almost-sweethearts, a misunderstanding, and a funeral.

Blair Lang and Declan Renshaw were best friends who went on one date before a disagreement and an accident sent them in different directions after high school. Now Blair is back from college to be with her great-aunt Lottie, who’s dying, and to support her single mother in small-town Seabrook, California. Finding a job at a coffee shop puts her in the path of her former boyfriend, since he turns out to be its owner. Can the two get past their mistakes? The novel uses the popular second-chance romance trope, but Pham fails to energize it through interesting characters. Blair’s grief over her great-aunt’s death and her plan to help her mother are overshadowed by internal monologues about her feelings, the way her friends aren’t paying attention to her, and the novel she plans to write. Declan’s distinguishing characteristic, besides being a former high school quarterback, is his skill at building birdhouses. Unsurprisingly, the couple doesn’t have much chemistry; when they embrace, their “bodies meld like…memory foam.” The wooden characters, unusual word choices (“conglomerate of pedestrians,” “litany of plants”), and odd turns of phrase (“tension melting from his eyebrows like butter melting in a warm pan”) are almost enough to obscure the lack of plot development. What passes for stakes is easily defused when Blair comes into an inheritance that saves her from working as a consultant at Ernst & Young in New York—so she can write a romance novel.

A romance that could have used significant rethinking.

Pub Date: March 3, 2026

ISBN: 9781668095188

Page Count: 320

Publisher: Atria

Review Posted Online: Feb. 16, 2026

Kirkus Reviews Issue: March 15, 2026

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CHERRY BABY

Rowell delivers the requisite happily-ever-after, but it doesn’t quite satisfy.

A second-chance romance from the author of Slow Dance (2024) and the Simon Snow Trilogy.

Cherry is fat. There are other things to know about Cherry, but this fact is essential to how she sees herself and—she knows—essential to how other people see her. And now that her husband’s hugely popular webcomic is a movie, she not only has to endure people confusing her with the character that’s based on her, but also the knowledge that the actor playing this character is wearing a fat suit. This pain is exacerbated by the fact that her marriage is over. It’s at this rock-bottom moment that her college crush reenters her life…This is a book about being fat, and Rowell does a great job of depicting what internalized fatphobia looks like. “Cherry was so used to thinking about being fat, she hardly even noticed that she was doing it. She was so used to thinking about being fat, she never thought about it.” Observations like this will resonate with a lot of readers, as will Cherry’s complicated feelings about weight-loss drugs. This is also a romance and, as a romance, it’s kind of all over the place. It’s totally realistic for Cherry to wonder if Russ—the guy from college—never pursued her because of her weight. This is a conflict that feels true. What’s less believable is the way he reacts when he sees a trailer for Cherry’s husband’s movie. It’s clear that he didn’t get that this movie was going to be a blockbuster. In short, Russ freaks out, and it’s not at all clear why. As for Cherry’s husband, the way she feels about him at the beginning of the book is totally disconnected from the way she feels about him in the novel’s latter half. It’s normal to have complicated feelings about the end of a marriage, of course, but there’s no emotional throughline to help the reader understand why Cherry’s feelings change so dramatically.

Rowell delivers the requisite happily-ever-after, but it doesn’t quite satisfy.

Pub Date: April 14, 2026

ISBN: 9780063380264

Page Count: 416

Publisher: Morrow/HarperCollins

Review Posted Online: Dec. 20, 2025

Kirkus Reviews Issue: Feb. 1, 2026

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