by Brooke Hartman ; illustrated by Evon Zerbetz ‧ RELEASE DATE: Feb. 26, 2019
This stunning interpretation of a fascinating region soars with polished poetry and striking, memorable art.
A child dreams of flying through the night sky over the Arctic region, seeing animals, fish, and birds as well as the northern lights.
The unnamed child narrates the first-person text in rhyming quatrains that lyrically describe the flight and everything seen and heard. The journey begins when a huge raven picks the child up from bed. The child floats through the starlit sky, seeing wolves, grizzly bears, eagles, and salmon. A puffin now joins the child, and they head farther north, past whales and sea lions. A snowy owl continues the journey, flying the child over the tundra, where they spot an arctic fox, a polar bear, and the dramatic display of the northern lights. The final illustration of the child back in bed, returned by the raven, holds several surprises: The child’s previously plain quilt is now decorated with all the creatures seen on the wondrous flight, the child holds a star, and the raven is flying off with the tassel of the child’s cap in its beak. The rhyming text is characterized by rich, evocative vocabulary and dramatic rhythm, matched by spectacular linocut illustrations with black backgrounds, glowing colors, and exaggerated perspectives that suggest a surreal dream world. The child has beige skin and dark hair and eyes. The setting is indicated by the title and arctic wildlife and by a simple map of the Arctic Ocean on the wall of the child’s cozy bedroom.
This stunning interpretation of a fascinating region soars with polished poetry and striking, memorable art. (Picture book. 3-8)Pub Date: Feb. 26, 2019
ISBN: 978-1-51326-189-8
Page Count: 32
Publisher: Alaska Northwest Books
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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