A meticulously researched, consistently entertaining biography of the legendary turn-of-the-century journalist whose true adventures far outstripped the boundaries of myth. For this first full-scale treatment of Bly, former United Press International reporter Kroeger reaches through a web of half- truths (many courtesy of the subject herself) and scanty facts to uncover the complex path of ``a life not so much lived as waged.'' Born near Pittsburgh in 1864, Elizabeth Jane Cochran began her career with an extraordinary stroke of luck—the editor of The Pittsburgh Dispatch, fascinated by her spirited letter rebuking a columnist who urged women to stay at home, gave the untrained 20- year-old a position and, in the fashion of the day, a catchy life- long pseudonym. But it was her own initiative that secured lasting fame. Deciding to scale the walls of newspaper capital New York, with her sights set on Joseph Pulitzer's splashy The World, Bly quickly became a leading investigative reporter in a business still largely closed to women. National celebrity came with an effort to better Jules Verne's fictional Phileas Fogg by going around the world in 75 days. Her relentlessly self-referential but charming and uninhibited style made Bly, in Kroeger's estimation, perhaps the first ``gonzo'' journalist. Reborn as an enlightened manufacturer after a curious elopement with a millionaire industrialist 40 years her senior, Bly mastered technology sufficiently to pick up 25 patents in her own name. Financial ruin drew the now-widowed Bly to Austria to report from the front lines of WW I, and a final foray into New York journalism, just prior to her death at 57, cast Bly as a passionate advocate for downtrodden women and children. While skillfully conveying the outlines of an astounding life, Kroeger, hampered by a lack of intimate detail, never manages to make Bly a fully three-dimensional character- -although, as she amply demonstrates, four or five dimensions would seem more appropriate. Inspiring reading for those searching out a feminist role model—or just a breathless ride through an incredible life. (16 pages of b&w photographs—not seen)

Pub Date: March 1, 1994

ISBN: 0-8129-1973-4

Page Count: 544

Publisher: Times/Henry Holt

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 15, 1994

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This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)

Pub Date: Jan. 1, 2001

ISBN: 0-448-42421-5

Page Count: 48

Publisher: Grosset & Dunlap

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2000

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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