A powerful, original examination of the nature of memory and the effects of childhood abuse that’s framed as a suspense tale.
In this debut YA sci-fi thriller, a teenager helps to heal victims of sexual abuse while trying to uncover the shocking secrets of his own mysterious past.
Sixteen-year-old Hunter remembers nothing about his life before he finds himself attending high school in Alaska. He has been told that his mother and younger brother died in an automobile accident four years previously, but he has no memory of that event, the bike mishap that is said to have caused the scars all over his body, or his supposed home schooling, which has left him uncertain about how to relate to his peers. His father, Joe, is no help, responding to his questions by saying only, “Leave the past alone.” But the past will not leave Hunter alone, as his mind is invaded by visions full of frightening and shameful sexuality—other people’s stories that seem to demand that he write them down even though he does not understand their origin. In school, he meets Jasmine “Jazz” Williams, a tough and vulnerable misfit with her own alarming secrets. Together, Hunter and Jazz investigate the roots and effects of his tales, discovering that they have an almost miraculous ability to erase the wounds of the past. While Jazz and Hunter have finally found someone to whom they can show their scars, Joe is terrified by the damage that may be caused if his son’s painful memories are finally unleashed. Skipstone’s narrative treads the edge between realistic YA literature and sci-fi grounded in computer logic, in which memories can be stored and retrieved externally. While the concept of Hunter’s access to memories that are not his own may be fanciful, the author’s portrayal of the lasting devastation caused by sexual abuse is deeply felt and convincing. Skipstone’s foreword warns that the graphic scenes of sexual violence may be triggering to some young readers but argues that the victims of such crimes deserve to have their stories told. As Hunter says, “One reason this stuff keeps happening is because it’s kept secret.”
A powerful, original examination of the nature of memory and the effects of childhood abuse that’s framed as a suspense tale.Pub Date: Oct. 17, 2019
ISBN: N/A
Page Count: 364
Publisher: Skipstone Publishing
Review Posted Online: Sept. 10, 2019
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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