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THE SPOILS OF WAR

GREED, POWER, AND THE CONFLICTS THAT MADE OUR GREATEST PRESIDENTS

A fruitful if arguable thesis yields a book worth reading in this election year.

A stimulating look at the presidency from the vantage point of the wars America has fought—and, in some instances, the none-too-noble reasons for them.

New York University politics professors de Mesquita and Smith, co-authors of The Dictator’s Handbook: Why Bad Behavior Is Almost Always Good Politics (2011), seem guaranteed to ruffle nationalist feathers with a few of their reinterpretations of American history. Abraham Lincoln, for instance, promoted the federalist policies that led to the Civil War not just out of a wish to preserve the Union, but also out of “burning personal ambition,” his chief aim being to occupy the White House. While George Washington “is perhaps unique among American presidents in not having manifested any great desire for political power,” he also benefited greatly from the revolution in which so many shed their blood. By the authors’ account, the bloodier the hands of the president, oftentimes, the greater the esteem in which he (and perhaps she) will be held. Lincoln, for instance, won the presidency by the tiniest of electoral margins, with a split opposing ticket, so much so that only some 40 percent went to Lincoln; that was enough to carry the race, but we account him great for having led the nation through war. The authors propose an idealistic but not soppy counterfactual: if presidents were prized for keeping the peace, as well as not squandering the public treasure on war, then Warren Harding would top our list of greatest presidents, followed by Gerald Ford and then John F. Kennedy; Lincoln would rank near the bottom of the list, tying with George W. Bush. Even without exhaustive explanation of the methodology, these rankings are provocative, and certainly the authors do not shy from controversy—criticizing Barack Obama, for instance, for “a willingness to back down” in situations that could have done with more bellicosity.

A fruitful if arguable thesis yields a book worth reading in this election year.

Pub Date: Sept. 27, 2016

ISBN: 978-1-61039-662-2

Page Count: 320

Publisher: PublicAffairs

Review Posted Online: July 3, 2016

Kirkus Reviews Issue: July 15, 2016

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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LIVES OTHER THAN MY OWN

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...

The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.

Pub Date: Sept. 13, 2011

ISBN: 978-0-8050-9261-5

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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