A cleareyed, research-rich guide that cuts through dogma.
A sociological examination of the competing philosophies, evidence, and policy debates shaping early childhood education.
Fuller’s book, written with colleagues Rebecca Cheung and Shanyilin Jin, is a rich, carefully structured field guide to one of the most politically charged and emotionally freighted domains in education. Organized around five central questions—how childhood is defined, who shapes early education, where learning should occur, what constitutes quality, and whether preschool can reduce inequality—the book moves methodically from philosophical foundations to contemporary policy debates. It begins by examining four enduring visions of the child, from the disciplined future worker to the culturally situated learner, showing how these frameworks continue to drive today’s arguments about play, school readiness, and academic rigor. Subsequent chapters map the mixed-delivery system that now characterizes American early education, tracing the roles of unions, advocates, public schools, and private providers. Drawing on decades of empirical research, the authors examine what actually improves preschool quality, including warm teacher-child relationships, rich language exposure, and cognitively engaging activities, while also acknowledging the stubborn fade-out of early gains and the uneven evidence on long-term effects. Throughout, Fuller and his co-authors situate classrooms within broader cultural and economic contexts, emphasizing the persistent tension between standardization and pluralism. The book succeeds as a dense but accessible synthesis. The prose is calm, measured, and scrupulously evidence-based but not bloodless; the authors’ willingness to question sacred cows (“learning through play” among them) gives the analysis intellectual bite without polemical heat. Scholars will appreciate the breadth of research and conceptual framing, while practitioners and policy-curious parents will find the arguments legible and often bracing. Even when breaking down technical debates about program effects or institutional design, the authors keep the stakes human and recognizable. The result is a rigorous, evenhanded work that invites disagreement and rewards careful reading. It is a rare academic treatise that speaks persuasively beyond the academy.
A cleareyed, research-rich guide that cuts through dogma.Pub Date: March 20, 2026
ISBN: 9780197808542
Page Count: 304
Publisher: Oxford Univ.
Review Posted Online: March 4, 2026
Kirkus Reviews Issue: April 15, 2026
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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