A well-crafted tale about trauma and miracles.
In this Holocaust novel, a man learns that one of his sisters, long thought to be dead, may be living in a Greek convent.
Brooklyn, 1990. Dr. Nicky Covo is a psychiatrist and widower attempting to help his patients deal with their problems while keeping his own from spilling over into his practice. He’s also a Holocaust survivor haunted by the loss of his entire family at Auschwitz when he was a teenager fighting with the Greek partisans against the Nazi occupation. As he’s leaving his office for the night, Nicky finds a letter from Abbess Fevronia, the head of the Holy Monastery of St. Vlassios in Inousa, Greece. The abbess has reason to believe that Sister Theodora, a taciturn nun who has lived at the convent since 1944, may in fact be one of Nicky’s sisters. At first, Nicky assumes the letter to be a ploy: “He’d heard about missing persons scams, promises to reunite the victim—a sucker—with a long-lost loved one in return for a small, or not so small, payment. He was too smart to fall for something like that.” And yet he can’t shake the feeling—or perhaps simply the hope—that the nun might be his sister Kalli. After his cellist daughter is hospitalized following a schizophrenic episode and Helen, a long-gone friend, reenters his life, Nicky decides he must satisfy his curiosity and return to Greece—even if doing so means confronting the past that he’s long sought to escape. The narrative switches back and forth between Nicky’s present and Fevronia’s experiences with Theodora over the latter half of the 20th century. Berger’s prose is understated and tailored to the interior lives of his characters: “It was past midnight when Nicky got back to his apartment. The long drive along icy highways, through poor visibility, left him shaking. In bed, he couldn’t relax, excited by the time with Helen and the idea that he was falling in love again.” Sometimes predictable, sometimes surprising, the novel is an exploration of faith that manages to challenge and satisfy in equal doses.
A well-crafted tale about trauma and miracles.Pub Date: Oct. 8, 2020
ISBN: 978-1-68433-559-6
Page Count: 270
Publisher: Black Rose Writing
Review Posted Online: Aug. 13, 2020
Kirkus Reviews Issue: Oct. 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: yesterday
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