by Bruce Watson ‧ RELEASE DATE: Nov. 1, 2002
Artfully nostalgic account of a phenomenon that survived two world wars but not Elvis.
Journalist Watson offers up the life and times of Alfred C. Gilbert (1884–1961) with an aura of homage one might expect from anyone who ever, in childhood, confronted the subject’s chief contribution to American culture: the Erector Set.
The biographer’s job is made all the more rewarding by Gilbert’s multifaceted dynamism: with what would be a toy bulldog’s body by today’s standards of male physique, he rode a vaulting pole to world records and an Olympic Gold Medal. Leaving Yale’s medical school with an M.D., he promptly abandoned medicine for magic, founding Mysto Manufacturing in New Haven, Connecticut, to hawk a series of parlor tricks that he himself had excelled at as a kid. Even then, A.C., as he became universally known by associates and freckle-faced customers alike, had his magnum opus in mind: by stamping a simple corrugation on a toy-scale “girder” that resembled those used in heavy construction for bridges and skyscrapers all over America, Gilbert produced a stiffer, superior component. Yet the rest may well not have been history, the author points out, if Gilbert hadn’t “made himself part of the package.” Such deceptively simple-minded slogans as “Hey Boys, Make Lots of Toys,” delivered under Gilbert’s likeness both in Erector ads and on packaging, Watson observes, were the product of a genius who essentially practiced boyhood for his entire adult life in order to fully plumb the market. Chemistry sets, microscopes, and even—after WWII—a nuclear science kit that included a small sample of radioactive material followed, but none challenged the ever-widening line (at one point including a kit that weighed over 100 pounds and cost $150) of Erector Sets. Faced with competitive “youth culture” marketing that screamed instant gratification in the mid-’50s, Gilbert finally grew up and left the company.
Artfully nostalgic account of a phenomenon that survived two world wars but not Elvis.Pub Date: Nov. 1, 2002
ISBN: 0-670-03134-8
Page Count: 224
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2002
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by Bruce Watson ; adapted by Rebecca Stefoff
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by Bruce Watson
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by Bruce Watson
                            by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
                            by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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