Next book

PAPER LOSSES

AN EPIC TALE OF GREED, BETRAYAL, AND THE PURSUIT OF MONOPOLY AT AMERICA'S TWO LARGEST NEWSPAPER COMPANIES

A heartfelt take on two heartland dailies that (following a lengthy battle for local dominance) joined forces after a fashion; by a Detroit News journalist who covered the twisty story's denouement and understands its varied implications. Gruley first provides background on a once-vigorous rivalry between his publication (an afternoon paper) and the Free Press (Motown's morning sheet). While previously profitable, he notes, both began losing big money during the 1980's due to a combination of socioeconomic developments. A 1985 takeover of the News by Gannett (the largest newspaper chain in the US) led to the negotiation of a joint-operating agency (JOA) with the hated Free Press (owned by Knight-Ridder, another fourth-estate colossus). Under terms of such accords, same-city newspapers are allowed to amalgamate their advertising, circulation, production, and allied activities while maintaining separate editorial staffs. By federal law, however, JOAs (which investors favor for their capacity to improve income statements) must be endorsed by the Justice Department—and, after a good deal of acrimonious debate, Attorney General Edwin Meese III approved the News/Free Press agreement. But unions and public-interest groups opposed the limited get-together right up through the Supreme Court, where, in late 1989, they lost their case on a four-to-four vote. Gruley offers tellingly detailed accounts of the roles played by high-profile participants (Clark Clifford, Jack Kent Cooke, Norman Lear, Ralph Nader, Al Neuharth, et al.) and a host of lesser lights in what amounted to a high- stakes game of chicken. He also does a good job of reckoning the costs, concluding that Detroit would have been better served if the market had been left to decide which paper was fittest to survive. In the wake of the protracted, enervating struggle, Gruley observes, neither paper is equipped to compete with, let alone best, rival media. An informative rundown on an encounter that could prove a watershed in the evolution (or devolution) of America's metropolitan dailies.

Pub Date: Nov. 22, 1993

ISBN: 0-8021-1402-4

Page Count: 464

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1993

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview