Thematically thoughtful but unlikely to engage readers.
In this novella, an eclectic group investigates the mystery of the elusive Boy in the Shadows.
The Boy in the Shadows lived an extremely sheltered life, coddled by his famous author parents. His own literary efforts were unremarkable, and he eventually faded into obscurity. Years later, misfit adventurer Alfred, aspiring journalist Jessica, and Jessica’s globe-trotting Uncle Bruce come together to track down the Boy in the Shadows and uncover his mysterious life story. This quest proves to be much more complicated than they bargained for, however, and they must decide how far they’re willing to go to learn the truth. The story is conceptually rich, questioning what it means to have lived a full life. There’s the Boy in the Shadows, who has gained an overwhelming amount of knowledge throughout his life but hasn’t experienced anything beyond the walls of his comfortable if fortresslike home, Paradise Manor. Then there’s Alfred, who has been everywhere and done everything but lacks a greater purpose. The prose is dominated by straightforward exposition, which often meanders into small details of each character’s backstory. Despite the complexity of the ideas the story explores, the characters fall flat due to their confusing motivations and the minimal dialogue. Some elements are likely to test readers’ suspension of disbelief, making it difficult to become engrossed in this world. The characters present white, and other than Jessica, most seem to be adults.
Thematically thoughtful but unlikely to engage readers. (Fiction. 14-adult)Pub Date: Oct. 28, 2025
ISBN: 9781963511345
Page Count: 82
Publisher: Flare Books/Catalyst Press
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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