Distrust and deceit throw soldiers and civilians into a tailspin in this gripping tale.
Chaos reigns when the Army seizes a rustic little town to stop a virus from spreading in this debut thriller.
Martin Fallon has eluded the Army soldiers hounding him for an entire month. He’d been part of a top-secret project, and now he’s infected with a virus. At least, that’s what Col. Preston Aldridge tells townsfolk in Harper’s Glen, close to where a blizzard spins Fallon’s car off the road. The desperate Fallon, after recovering at the local hospital, seeks refuge at nurse Shelly Christianson’s home. Though he initially takes Shelly hostage, Fallon may not be as crazy as he seems. He claims the Army is after him because he knows about the biological agent it’s been inhumanely testing—and all he wants to do is flee. Meanwhile, Aldridge sets up his command post at the hospital as he attempts to quarantine Harper’s Glen’s citizens. Soldiers also scour the area for Fallon, but residents object to their presence, convinced the Army has “kidnapped” the medical staff of the entire town. When the townsfolk’s resistance turns aggressive, the armed soldiers use deadly force. This only further enrages the civilians, who retaliate with guns and much worse. McBee’s novel generates intensity through a bevy of dubious characters. For example, readers don’t know who’s lying—Aldridge or Fallon—and each convincingly explains how the other is more dangerous. The cast comprises numerous players often reacting to someone’s hostility, including in action-laden scenes of the Army versus the residents. As such, the characters are generally underdeveloped, though Shelly is unquestionably sympathetic. She escaped from an abusive husband, and she won’t let Fallon make her a victim again. Despite several explosively violent turns in the story, the author’s grandest descriptions portray the cold, snowy surroundings: “Away from the plowed roads, the top-heavy military trucks slipped and fishtailed, fighting for traction on the slick muddy surface. Slowly, they plodded along.”
Distrust and deceit throw soldiers and civilians into a tailspin in this gripping tale.Pub Date: May 25, 2021
ISBN: 978-1-63-752882-2
Page Count: 304
Publisher: Atmosphere Press
Review Posted Online: July 12, 2021
Kirkus Reviews Issue: Aug. 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A grim yet gleefully gratifying tale of lost innocence and found family.
A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.
High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.
A grim yet gleefully gratifying tale of lost innocence and found family.Pub Date: Oct. 7, 2025
ISBN: 9781464260919
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
SEEN & HEARD
SEEN & HEARD
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