A volume to dip into rather than read right through.

INFINITE STARS

Fourteen new stories and 10 reprints, some of full novella length, hitching together two familiar themes, military science fiction and space opera.

In his brief note, editor Schmidt conflates the two topics, believing that many readers find them indistinguishable, and leaves Robert Silverberg to discuss the matter in his historical introduction. The term “space opera,” Silverberg writes, was coined by fan Wilson Tucker in 1941 and intended pejoratively; gradually the sting dissipated as science fiction began to transcend its pulp origins. We see this process reflected in the three oldest entries here: Poul Anderson’s human hunter vs. intelligent alien prey, “Duel on Syrtis”; Cordwainer Smith’s Hugo-winning “The Game of Rat and Dragon,” in which telepathic humans and cats team up to destroy hyperspace predators; and Anne McCaffrey’s seminal human brain-in-a-spaceship, “The Ship Who Sang.” (None of the three, unsurprisingly, can remotely be classified as either military or space opera.) The new tales all derive from their authors’ distinctive, established universes with highly developed settings, plots, and characters, making it difficult for newcomers to absorb much from a single story embedded in an unfamiliar saga. Orson Scott Card’s tale introduces a new cycle spun off his endlessly intriguing Ender’s Game child-warrior books. Brian Herbert and Kevin J. Anderson extend their neo-Dune chronicle with a story set during the action of Frank Herbert’s original Dune. Alastair Reynolds offers a tale from his classic space opera Revelation Space. From Jack Campbell’s Lost Fleet series we learn how Adm. “Black Jack” Geary got his nickname. Elizabeth Moon’s tale from her generally impressive Vatta military-family saga bridges the prior novels and the new series opener (Cold Welcome, 2017). Other famous series represented here include a 1987 story from Lois McMaster Bujold’s Miles Vorkosigan space opera and new entries from Catherine Asaro (Skolian Empire), Jody Lynn Nye (Imperium), Linda Nagata (The Red), David Drake (RCN), David Weber (Honor Harrington), and more. The question remains, how likely are readers to jump from one series to another, and indeed, how many will want to?

A volume to dip into rather than read right through.

Pub Date: Oct. 17, 2017

ISBN: 1-78565-593-0

Page Count: 496

Publisher: Titan Books

Review Posted Online: Aug. 31, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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NINTH HOUSE

Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

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