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BLACK GIRL RISING

Proof that Black girls, just by being themselves, stay ready to soar.

A rhyming picture book highlighting Black girls thriving.

Questions that highlight the upward and forward movement of Black girls are interspersed with sentences that at first seem like admonitions until it becomes clear that they are emphasizing the strength and beauty of the book’s subject. Lines like “You’d better keep quiet; keep still. / So you can know your place” echo social expectations that Black girls shouldn’t be loud and take up space. But Barnes goes on to assert that Black girls’ very existence is a testament to the power of the multihued and broad diaspora of Black people everywhere (“You’re supposed to dim your light / and never be seen. // But you don’t, girl—you won’t, girl— / you know you’re a queen”). Barnes stresses that Black girls have inherited the legacies of Toni Morrison, Mari Evans, Alice Walker, and Zora Neale Hurston, among others, and each illustration is a celebration of this fact. The book begins and ends with Black girls literally rising into the air, on tiptoes and with wings. Black girls using wheelchairs, Black girls wearing hijabs, Black girls embracing each other, wrapped by rainbows—they are all represented in vibrant, lightly textured oil and acrylic paintings. Every page turn brings more brilliant images that encourage readers to move at a steady, rhythmic pace through the book. (This book was reviewed digitally.)

Proof that Black girls, just by being themselves, stay ready to soar. (Picture book. 5-10)

Pub Date: June 28, 2022

ISBN: 978-1-4521-6487-8

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: April 26, 2022

Kirkus Reviews Issue: May 15, 2022

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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MAYA'S BIG QUESTION

From the Ambitious Girl series , Vol. 3

Another empowering outing led by a dynamic young role model.

The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.

On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.

Another empowering outing led by a dynamic young role model. (Picture book. 5-8)

Pub Date: Feb. 3, 2026

ISBN: 9780316561341

Page Count: 40

Publisher: Little, Brown

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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