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PIRATES

An older sister’s literary torment of her brother backfires in this spooky tale of pirates. Ellery has chosen a library book that she’s sure will frighten young Max, who would rather read about cats than pirates. She maximizes the scare factor by waiting until dark to begin reading aloud with a flashlight. The text alternates between the italicized words of the library book and the action in the den, where the siblings are curled up in their sleeping bags. While Max tries to downplay each thing in the book, Ellery’s interpretations are downright evil. Where Max sees the Spanish moss hanging from the trees as green tinsel, Ellery tells him that it’s pirate’s hair. The pelicans aren’t stretching to catch raindrops in their bills—“They scream silent screams of pirate victims.” But gradually Ellery’s stories catch up with her. Will Max rescue her when the pirates step out of the book with their eye patches and hooks? Heh, heh, heh. Then she can go to the library and get that book about cats. Lamm (Prog Frince: A Mixed-Up Tale, 1999, etc.) has created two very creative children with wonderful imaginations. Schuett’s (Fat Chance Thanksgiving, p. 1215, etc.) oil paintings masterfully show the two children (and their black cat) growing more and more frightened. These are interspersed with pirate scenes that, although spooky, also show a kind of dark humor. In a beach scene, crabs watch the pirate ship with eyes that poke out of the sand on stalks, and on the pirates’ island, a skeleton keeps watch over the X that marks the spot. This is a tale best told at Halloween, but right any time a good scare is in order. (Picture book. 6-9)

Pub Date: Sept. 1, 2001

ISBN: 0-7868-0392-4

Page Count: 40

Publisher: Hyperion

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2001

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HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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