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MULE

MY DANGEROUS LIFE AS A DRUG SMUGGLER TURNED DEA INFORMANT

Adds little to our understanding of violent international drug smuggling.

Melodramatic account of a marijuana smuggler who switched sides.

El Paso–based motivational speaker Heifner asserts that his criminal involvement followed a limited arc. Over several months, he accepted a number of missions from his flashy, vulgar college friend Jake, driving carloads of cannabis across the Mexican border. When arrested, the author received a light sentence of probation and deferred adjudication and a visit from DEA agents, which inspired the none-too-thoughtful Jake to threaten Heifner and his family’s lives. This led him to volunteer as a DEA informant in order to keep his family safe. The author works to document Jake’s connection to large loads of pot, even while redeeming himself by returning to school and reconciling with his harried wife. Although Heifner endeavors to get inside his paranoid, angst-ridden mindset, the prose is too hasty—much of the narrative reads like a Maxim true-crime article expanded to book length, with artificial dialogue and a constant stream of cliché and overheated language (“I was a wrecking ball, and everyone else was a straw house”). The lack of verisimilitude is also unfortunate. Heifner does not explicitly identify many of the characters or cases (other than an epilogue that mentions the arrest of Jake’s partner), and conveniently, Jake disappeared and is presumed dead. Heifner is an unsympathetic protagonist, as he expresses contempt for the incompetent cops and criminals around him, trumpeting his own superior intelligence rather than looking for nuance or irony in his circumstances, and he portrays minor characters in terms verging on sexist or racist caricature.

Adds little to our understanding of violent international drug smuggling.

Pub Date: July 17, 2012

ISBN: 978-0-7627-8028-0

Page Count: 272

Publisher: Lyons Press

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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