A sometimes cloudy but uncanny mystery, filled with revelations that dazzle like summer lightning.
In LeMay’s quirky debut, a teenager confronts the mysteries surrounding the Renaissance Faire run by his family.
Five years ago, tragedy struck the Mad Brothers Renaissance Faire. Ginger, a beloved Bengal tiger, fatally mauled Matt Madison, the fair’s owner. Since then, Matt’s 17-year-old son, Simon, has craved nothing but solitude in quaint Freemont, S.C, where his life is anything but easy: His mother is mentally ill, his grandfather is wheelchair-bound, and he hates the family business. Tommy, a hardworking friend of Simon’s father, runs the faire himself. Only the arrival of teen psychic Amanda Moon is able to shake Simon from his detachment. Charming, ethereal and living next door in his father’s old trailer, Amanda also believes that someone used Ginger to murder Matt. Enraged by this, Simon seeks out Tommy's tranquil company. The older man tells Simon that he will inherit the faire upon turning 18 if he’s willing to work the grounds part-time; if not, ownership goes to his cousin Aaron, an irresponsible playboy. Further complicating Simon’s life are Amanda’s visions of crosses, the pesky school principal, Dr. Danvers, and the mutilated body of a fellow student found in the local swamp. Simon can’t seem to escape any of it; however, after helping Amanda find the first of three engraved crosses, he no longer wants to. He commits to discovering the truth, although LeMay, a crafty, attentive writer, buries it deeply. The melancholy world quickly surrounds the reader, baiting the imagination with beautiful moments, such as Simon dreaming of Ginger: “Just as she was within arm’s reach, she exploded into a thousand butterflies and fluttered away in as many directions.” Equally memorable are passages highlighting Simon’s transformation from teen to young man: “One minute I was hollow and meandering and the next minute I was filled and directed.” The novel’s first third, which draws several fascinating character portraits, is especially enchanting. But once there’s a fresh murder to solve, LeMay’s writing grows tangled with long phone calls and car rides, and plot points sometimes mix with extraneous detail, creating a bog. By the end, though, LeMay cuts through it all for a satisfying finale.
A sometimes cloudy but uncanny mystery, filled with revelations that dazzle like summer lightning.Pub Date: April 17, 2013
ISBN: 978-1482563054
Page Count: 292
Publisher: CreateSpace
Review Posted Online: July 1, 2013
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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