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LOST CAT

Given the appealing subject matter, tightly focused visual storytelling and feel-good resolution, Slipper’s adventures will...

Attractive illustrations, gentle humor and a large but satisfying coincidence propel this first effort toward a happy ending.

The plot is simple. A beloved cat, left behind in the bustle of moving, first tries to catch up then considers a variety of options before finding the perfect new home. Mader matter-of-factly describes Slipper the cat’s wanderings and adds a touch of humor to the potentially poignant tale by assigning names to human characters based on their footwear. Shown from Slipper’s vantage point, the pictures likewise focus on feet, from the cat’s original owner, Mrs. Fluffy Slippers, through strangers that include the friendly Ms. Muddy Boots, intimidating High Tops and noisy Mr. Big Boots to the warmly welcoming Miss Shiny Shoes. Mader’s realistic drawings, created with pastels, are particularly effective when a single image dominates the page (Mr. Big Boots’ shiny red motorcycle on one spread, Slipper herself on another). While occasionally somewhat static, they add charm to the straightforward story and effectively portray both setting and characters. In at least one instance—a double-page spread that shows Slipper’s silhouette, small and far off, engulfed by the dark forest around her—the pictures also add an emotional resonance that is mostly missing from the brisk text.

Given the appealing subject matter, tightly focused visual storytelling and feel-good resolution, Slipper’s adventures will likely find an enthusiastic audience, particularly among feline fanciers. (Picture book. 4-7)

Pub Date: Oct. 22, 2013

ISBN: 978-0-547-97458-3

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: July 30, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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  • New York Times Bestseller


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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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