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A flawed but urgent read set in the fading #MeToo era, this is sure to ignite mother-daughter book club debates.

Lydia, 12, would rather swelter in heavy clothes in the August heat than endure her mom’s boyfriend, Jeremy, touching her bare skin.

Without saying why, Lydia gives her cousin Emma, 11, who lives with them, the candy he slips them. Jeremy’s not the only male threat in Lydia’s world: Andrew and their male Catholic school classmates find ingenious ways to look up her skirt. Knowing her friends happily seek male attention that sickens her, she keeps her reactions to herself. Is it normal to enjoy this? Lydia, who’s white, has distanced herself from Emma, whose mother is deceased and who longs to live with her dad. (Emma’s biracial; her mom was black and her dad is white.) Emotionally isolated from her squabbling, divorced parents, Lydia dreads hurting her attorney mom; her bartender dad often cancels their scheduled visits. Dreading the day Jeremy will move into their new house, Lydia discovers it contains a room with herbal extracts and a book of spells she hopes will offer needed protection. This ambitious novel covers significant, rarely explored ground. Do manspreading, unchecked sexualized teasing, and sexual predation share a continuum of exploitation? Who gets to define each? Why most female characters here accept these behaviors with passive resignation or active welcome remains frustratingly unexplored. Also hovering unacknowledged is the role of sexual objectification as a societal norm and value.

A flawed but urgent read set in the fading #MeToo era, this is sure to ignite mother-daughter book club debates. (Fiction. 11-13)

Pub Date: Aug. 11, 2020

ISBN: 978-0-06-267270-4

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: April 11, 2020

Kirkus Reviews Issue: May 1, 2020

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From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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A sly, side-splitting hoot from start to finish.

The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.

Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)

A sly, side-splitting hoot from start to finish. (Adventure. 11-13)

Pub Date: April 12, 2016

ISBN: 978-0-06-234510-3

Page Count: 352

Publisher: Walden Pond Press/HarperCollins

Review Posted Online: Dec. 21, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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