Dystopia fans with the patience to wait could do worse—but with so many similar titles out there, they probably won’t bother...

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CHILDREN OF ICARUS

From the Children of Icarus series , Vol. 1

In a nightmarish, claustrophobic world, a small band of near-feral adolescents scavenges among harpies, hydras, and other horrors from Greek mythology.

The highest joy for any child of Daedalum is to be chosen as an Icarii and sent out of the city; once through the vast surrounding labyrinth, they are taught, they will become angels like the fallen Icarus of legend. The unnamed 16-year-old protagonist soon discovers the horrific truth: the labyrinth is an endless trap, filled with monsters, and those Icarii who aren’t immediately slaughtered may be even more dangerous. The characters are realistically rounded, without clear-cut heroes or villains; the plot, mostly focusing upon complex female relationships, avoids stereotypical gender roles or even a whiff of romance—although not sexual violence. (The absence of racial descriptions indicates that they are all probably white.) Unfortunately, the first-person present-tense narrator is so pathologically timid, needy, and passive that readers will likely endorse her self-loathing, especially when her mute listlessness leads to cruel deceit and inadvertent death. Still, as the short chapters and constant tension keep the pages turning, she is forced in the final section to attain (rather unbelievable levels of) competence and self-assertion; it’s frustrating to realize it’s all little more than setup for the real story to begin, presumably in the next volume.

Dystopia fans with the patience to wait could do worse—but with so many similar titles out there, they probably won’t bother with it. (Fantasy. 12-18)

Pub Date: Oct. 1, 2016

ISBN: 978-1-6307-9057-8

Page Count: 312

Publisher: Switch/Capstone

Review Posted Online: July 20, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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This story is necessary. This story is important.

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THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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Though constrained, the work nevertheless stands apart in a literature that too often finds it hard to look hard truths in...

DEAR MARTIN

In this roller-coaster ride of a debut, the author summons the popular legacy of Martin Luther King Jr. to respond to the recent tragic violence befalling unarmed black men and boys.

Seventeen-year-old black high school senior Justyce McAllister, a full-scholarship student at the virtually all-white Braselton Prep, is the focus. After a bloody run-in with the police when they take his good deed for malice, Justyce seeks meaning in a series of letters with his “homie” Dr. King. He writes, “I thought if I made sure to be an upstanding member of society, I’d be exempt from the stuff THOSE black guys deal with, you know?” While he’s ranked fourth in his graduating class and well-positioned for the Ivy League, Justyce is coming to terms with the fact that there’s not as much that separates him from “THOSE black guys” as he’d like to believe. Despite this, Stone seems to position Justyce and his best friend as the decidedly well-mannered black children who are deserving of readers’ sympathies. They are not those gangsters that can be found in Justyce’s neighborhood. There’s nuance to be found for sure, but not enough to upset the dominant narrative. What if they weren’t the successful kids? While the novel intentionally leaves more questions than it attempts to answer, there are layers that still remain between the lines.

Though constrained, the work nevertheless stands apart in a literature that too often finds it hard to look hard truths in the face. Take interest and ask questions. (Fiction. 14-18)

Pub Date: Oct. 17, 2017

ISBN: 978-1-101-93949-9

Page Count: 224

Publisher: Crown

Review Posted Online: Aug. 7, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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