There is a fan base that loved book one and will clamor for more of the same, which this certainly is. The ending promises...

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THE NIGHTMARE GARDEN

From the Iron Codex series , Vol. 2

This second installment in the Iron Codex series is as inventive and as bloated as its predecessor.

Spoiled, inconsistent, often-thoughtless heroine Aoife Grayson nearly destroyed the world when she broke the Lovecraft Engine and sundered the gates between the worlds of human and Fae. But she’s not going to let a little thing like that stop her, so she sets off on an exhausting, somewhat episodic adventure through the steampunk-horror ’50s nightmare that is her world. She meets Erlkin, spends time with her estranged father, travels in a sub with Russian pirates and tries to play off her many enemies against one another. In so doing, she awakens a much greater threat with little regard to consequences. And she experiences love and loss, but her first-person narration sometimes strains credulity. Aoife states things she cannot know, says contrary things repeatedly (about her own emotions, the behavior of others, even the setting) and provides exposition at moments of high emotional tension, lessening the impact. Secondary characters exist only to move the plot along and then conveniently fade into the background, much like aspects of Aoife’s personality. Even so, the unusual world stands out.

There is a fan base that loved book one and will clamor for more of the same, which this certainly is. The ending promises even bigger adventures to come. (maps) (Steampunk/horror/fantasy. 12 & up)

Pub Date: Feb. 14, 2012

ISBN: 978-0-385-73831-6

Page Count: 304

Publisher: Delacorte

Review Posted Online: Feb. 5, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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An emotionally engaging closer that fumbles in its final moments.

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ALWAYS AND FOREVER, LARA JEAN

From the To All the Boys I've Loved Before series , Vol. 3

Lara Jean prepares for college and a wedding.

Korean-American Lara Jean is finally settled into a nice, complication-free relationship with her white boyfriend, Peter. But things don’t stay simple for long. When college acceptance letters roll in, Peter and Lara Jean discover they’re heading in different directions. As the two discuss the long-distance thing, Lara Jean’s widower father is making a major commitment: marrying the neighbor lady he’s been dating. The whirlwind of a wedding, college visits, prom, and the last few months of senior year provides an excellent backdrop for this final book about Lara Jean. The characters ping from event to event with emotions always at the forefront. Han further develops her cast, pushing them to new maturity and leaving few stones unturned. There’s only one problem here, and it’s what’s always held this series back from true greatness: Peter. Despite Han’s best efforts to flesh out Peter with abandonment issues and a crummy dad, he remains little more than a handsome jock. Frankly, Lara Jean and Peter may have cute teen chemistry, but Han's nuanced characterizations have often helped to subvert typical teen love-story tropes. This knowing subversion is frustratingly absent from the novel's denouement.

An emotionally engaging closer that fumbles in its final moments. (Romance. 14-17)

Pub Date: May 2, 2017

ISBN: 978-1-4814-3048-7

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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