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THE PLUNDER OF BLACK AMERICA

HOW THE RACIAL WEALTH GAP WAS MADE

A carefully researched work of history that chronicles centuries of injustice while calling for an end to inequality.

A historical examination of the origins of the ever-deepening divide between Black and white intergenerational wealth.

As Arizona State University historian Schermerhorn notes, “The typical African American family has about one-sixth the wealth of the typical white family.” This is an improvement over the year of the Emancipation Proclamation, when “the typical Black family had less than two cents on the typical white family’s dollar,” but the structural reasons for the disparity have remained fairly constant: institutional racism stood in the way of accumulating wealth then, and it does so today. Schermerhorn ranges across American history to note that whenever Blacks have made economic advances, new impediments arise: a Black household in colonial Virginia was subject to twice the annual tax of a white household of the same composition, while the descendants of landholders were legally cheated out of inherited holdings because, as a court said of one, the heir “was a Negro and by consequence an alyen.” In the newly constituted United States, enslaved Blacks were legally classified “as personal property, like a horse or wagon,” with no property rights of their own. Schermerhorn finds broad discrepancies in New Deal programs, with Social Security, for instance, initially denied to farmworkers and domestic workers—a large portion, that is, of the Black workforce—while post–WWII GI Bill programs were so tilted that in 1947, “just two of 3,229 VA-backed loans in thirteen Mississippi cities went to Black veterans.” Housing covenants in the Phoenix and Los Angeles of the 1950s and ’60s confined Blacks to the inner city and low housing values, impeding the accumulation of wealth. Schermerhorn closes with a call to redress four centuries of economic damage with “targeted restorative justice initiatives” that include reparations.

A carefully researched work of history that chronicles centuries of injustice while calling for an end to inequality.

Pub Date: Feb. 11, 2025

ISBN: 9780300258950

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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THE GREATEST SENTENCE EVER WRITTEN

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

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Words that made a nation.

Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

Pub Date: Nov. 18, 2025

ISBN: 9781982181314

Page Count: 80

Publisher: Simon & Schuster

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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DEAR NEW YORK

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Portraits in a post-pandemic world.

After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Pub Date: Oct. 7, 2025

ISBN: 9781250277589

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Aug. 1, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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