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MURDER IN CHIANTI

An engaging procedural that introduces a delightful cast readers will want to spend more time with.

After the death of his wife, Rita, Bronx homicide detective Nico Doyle starts a new life in the idyllic village of Gravigna in the Chianti hills in Tuscany, where Rita grew up.

A barking dog summons Nico into the woods near his new home, where he finds a man lying on the ground, a single shot to the head. Nico’s landlord, Aldo, calls the local marshall, expansive Salvatore Perillo. Since the corpse has no ID, Nico inherits a faithful dog, whom he names OneWag. There’s a fair amount of chatter about the murder and a soupçon of family drama at Sotto Il Fico, the restaurant Nico considers a second home. Tilde, Rita’s cousin, doesn’t approve of Gianni, Tilde’s daughter Stella’s boyfriend. Matriarch Elvira, who runs the restaurant with quiet authority, declares that the victim was American, disquieting Nico, who’s been careful to keep his Bronx background a secret. When Perillo, under pressure from prosecutor Della Langhe, learns of it, he and overeager sidekick Daniele press Nico for help. The discovery of the victim’s abandoned car, a bracelet traced to a jeweler, and a visit to a hotel reveal the man’s identity: Napa Valley vineyard owner Robert Garrett, born Roberto Gerardi in Tuscany but raised in California. Adding another wrinkle to the investigation is the news that Garrett was dying of cancer. Might this have been a mercy killing? Regular visits to the restaurant and to Rita’s grave punctuate Nico’s probe. The solution Trinchieri provides will surprise and satisfy.

An engaging procedural that introduces a delightful cast readers will want to spend more time with.

Pub Date: July 7, 2020

ISBN: 978-1-641-29179-8

Page Count: 312

Publisher: Soho Crime

Review Posted Online: May 17, 2020

Kirkus Reviews Issue: June 1, 2020

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A DEADLY EPISODE

Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.

Murder disrupts the filming of—what else?—The Word Is Murder, based on the first novel starring author Horowitz and his sometime partner, ex-copper Daniel Hawthorne.

With commendably dramatic timing, gofer Izzy Mays bursts into the middle of a pivotal shot on location at The Stade in Hastings to announce that Hawthorne’s been murdered. Of course, what she means (though Horowitz takes his time clarifying this ambiguity) is that David Caine, the rising star playing Hawthorne, has been fatally stabbed in the neck. Suspicion falls on James Aubrey, the agent Caine had just fired; Izzy, because Caine had caused her to be fired, too, though he ended up making his exit first; Ralph Seymour, the washed-up actor who’d returned from New Zealand to play Horowitz opposite Caine, his mortal enemy; and producer Teresa de León, who’s abruptly lost an important source of funding for the project; director Cy Truman; and screenwriter Shanika Harris, because why not? After Hawthorne builds meticulous hypothetical cases against several of these suspects, provoking Teresa’s apt rejoinder, “All those questions in the script and now you’re asking them for real,” he responds to Horowitz’s theory that he may have been the intended target after all by sharing a story from his early days as a private investigator in what ends up looking like the most elaborately extended red herring in the history of detective fiction. The two plots, past and present—or, to be more precise, past and present-day-adaptation-of-a-story-from-the-less-distant-past, are eventually woven together in ways only Horowitz’s most devoted fans will celebrate.

Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.

Pub Date: April 28, 2026

ISBN: 9780063305748

Page Count: 608

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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