by Camille T. Dungy ‧ RELEASE DATE: June 13, 2017
Forthright, entertaining, often potent essays that successfully intertwine personal history and historical context regarding...
A poet explores her experiences as a mother, teacher, black woman, and “conscientious outsider.”
In this frank, revealing, and often lyrical memoir, Dungy (Creative Writing/Colorado State Univ.; Trophic Cascade, 2017, etc.) chronicles her travels across the country with her daughter, recording her thoughts on their place in American society. Whether she ponders why so many people are startled by the volume of her infant daughter’s hair, the history of the Civil War as it related to the rural farmers of Maine, or the loss of place and home when developers built behind her childhood home, the author’s voice rings out loud and clear. As a black woman who travels in circles that are often nearly all white, she has fears that others may never perceive. When she injured her ankle while hiking, she fretted about whether her weight was too much for the men in her group to handle in making it back down the mountain. When she flies, she has to rely on strangers to help with her stuff and her child, and she worries about who will take care of her daughter while she is teaching. On a powerful visit to Ghana to see the slave-holding pens along the coast, she considers her daughter's inability to pay attention to the horrific history all around them. Dungy also discusses the many surprises of being a mother, including the joys of nursing and watching her child learn new skills, which has opened her own eyes to new wonders. Each essay flows smoothly into the next, and they are all interlinked with themes of race, fear, joy, and love, bringing readers eye to eye with the experiences of being a black female poet, lecturer, mother, and woman.
Forthright, entertaining, often potent essays that successfully intertwine personal history and historical context regarding black and white in America.Pub Date: June 13, 2017
ISBN: 978-0-393-25375-7
Page Count: 288
Publisher: Norton
Review Posted Online: April 1, 2017
Kirkus Reviews Issue: April 15, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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