Forthright, entertaining, often potent essays that successfully intertwine personal history and historical context regarding...

GUIDEBOOK TO RELATIVE STRANGERS

JOURNEYS INTO RACE, MOTHERHOOD, AND HISTORY

A poet explores her experiences as a mother, teacher, black woman, and “conscientious outsider.”

In this frank, revealing, and often lyrical memoir, Dungy (Creative Writing/Colorado State Univ.; Trophic Cascade, 2017, etc.) chronicles her travels across the country with her daughter, recording her thoughts on their place in American society. Whether she ponders why so many people are startled by the volume of her infant daughter’s hair, the history of the Civil War as it related to the rural farmers of Maine, or the loss of place and home when developers built behind her childhood home, the author’s voice rings out loud and clear. As a black woman who travels in circles that are often nearly all white, she has fears that others may never perceive. When she injured her ankle while hiking, she fretted about whether her weight was too much for the men in her group to handle in making it back down the mountain. When she flies, she has to rely on strangers to help with her stuff and her child, and she worries about who will take care of her daughter while she is teaching. On a powerful visit to Ghana to see the slave-holding pens along the coast, she considers her daughter's inability to pay attention to the horrific history all around them. Dungy also discusses the many surprises of being a mother, including the joys of nursing and watching her child learn new skills, which has opened her own eyes to new wonders. Each essay flows smoothly into the next, and they are all interlinked with themes of race, fear, joy, and love, bringing readers eye to eye with the experiences of being a black female poet, lecturer, mother, and woman.

Forthright, entertaining, often potent essays that successfully intertwine personal history and historical context regarding black and white in America.

Pub Date: June 13, 2017

ISBN: 978-0-393-25375-7

Page Count: 288

Publisher: Norton

Review Posted Online: April 2, 2017

Kirkus Reviews Issue: April 15, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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