A nearly nonexistent sense of humor unfortunately negates any vicarious pleasure to be got from either Bushnell’s better...
Rapacious social climber gets the rich husband and fame she’s always desired—and it’s far from enough.
This being the fifth from Bushnell (Sex and the City, 1996; Four Blondes, 2000, etc.), one expects generous lashings of fashion, sex, and New York City—and such expectations are more than rewarded. Stage center in this gaudy little bauble is Janey Wilcox, a morally challenged model at the upper end of the allowed age spectrum (early 30s) who’s managed to stay on top as one of the lithe, lingerie-clad Victoria’s Secret vixens. Sick of not-so-subtly trading sex with powerful Manhattan men for favors, invites, meals, and money, she decides that she needs to do what “friends” do (thinking of other people as anything but accessories and tools is somewhat of a stretch for Janey) and get a rich husband. The poor sucker is Selden Rose, a basically nice guy from Chicago who’s CEO of a successful cable movie channel. A quick romance ends in marriage and an Italian honeymoon that quickly has Janey throwing tantrums at being so far away from good shopping. Ensconced in their New York apartment, Janey quickly comes to realize that she could have married much better than Selden. Though she’s a past master of the New York scene and the neuroses and accoutrements of its more fabulous denizens, Bushnell runs into more than a few snags when she tries to rev this lumbering, chaotic novel forward. It’s all well and good to create a creature as devastatingly cold-hearted and childish as Janey just so we can stand back and watch the chaos ensue (à la Valley of the Dolls, too bluntly alluded to), but a lurching, frequently stalled plot gets in the way to an almost embarrassing degree.
A nearly nonexistent sense of humor unfortunately negates any vicarious pleasure to be got from either Bushnell’s better observations or Janey’s monstrous diva-tude.Pub Date: July 1, 2003
ISBN: 0-7868-6818-X
Page Count: 416
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The novelist loves this land and these characters, with their enduring values amid a way of life that seems to be dying.
A heartland novel that evokes the possibility of everyday miracles.
The third novel by Wisconsin author Butler (Beneath the Bonfire, 2015, etc.) shows that he knows this terrain inside out, in terms of tone and theme as well as geography. Nothing much happens in this small town in western Wisconsin, not far from the river that serves as the border with Minnesota, which attracts some tourism in the summer but otherwise seems to exist outside of time. The seasons change, but any other changes are probably for the worse—local businesses can’t survive the competition of big-box stores, local kids move elsewhere when they grow up, local churches see their congregations dwindle. Sixty-five-year-old Lyle Hovde and his wife, Peg, have lived here all their lives; they were married in the same church where he was baptized and where he’s sure his funeral will be. His friends have been friends since boyhood; he had the same job at an appliance store where he fixed what they sold until the store closed. Then he retired, or semiretired, as he found a new routine as the only employee at an apple orchard, where the aging owners are less concerned with making money than with being good stewards of the Earth. The novel is like a favorite flannel shirt, relaxed and comfortable, well-crafted even as it deals with issues of life and death, faith and doubt that Lyle somehow takes in stride. He and Peg lost their only child when he was just a few months old, a tragedy which shook his faith even as he maintained his rituals. He and Peg subsequently adopted a baby daughter, Shiloh, through what might seem in retrospect like a miracle (it certainly didn’t seem to involve any of the complications and paperwork that adoptions typically involve). Shiloh was a rebellious child who left as soon as she could and has now returned home with her 5-year-old son, Isaac. Grandparenting gives Lyle another chance to experience what he missed with his own son, yet drama ensues when Shiloh falls for a charismatic evangelist who might be a cult leader (and he’s a stranger to these parts, so he can’t be much good). Though the plot builds toward a dramatic climax, it ends with more of a quiet epiphany.
The novelist loves this land and these characters, with their enduring values amid a way of life that seems to be dying.Pub Date: March 5, 2019
ISBN: 978-0-06-246971-7
Page Count: 336
Publisher: Ecco/HarperCollins
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Jan. 1, 2019
IN THE NEWS
A nervy modern-day rebellion tale that isn’t afraid to get dark or find humor in the darkness.
A young New York woman figures there’s nothing wrong with existence that a fistful of prescriptions and months of napping wouldn’t fix.
Moshfegh’s prickly fourth book (Homesick for Another World, 2017, etc.) is narrated by an unnamed woman who’s decided to spend a year “hibernating.” She has a few conventional grief issues. (Her parents are both dead, and they’re much on her mind.) And if she’s not mentally ill, she’s certainly severely maladjusted socially. (She quits her job at an art gallery in obnoxious, scatological fashion.) But Moshfegh isn’t interested in grief or mental illness per se. Instead, she means to explore whether there are paths to living that don’t involve traditional (and wearying) habits of consumption, production, and relationships. To highlight that point, most of the people in the narrator's life are offbeat or provisional figures: Reva, her well-meaning but shallow former classmate; Trevor, a boyfriend who only pursues her when he’s on the rebound; and Dr. Tuttle, a wildly incompetent doctor who freely gives random pill samples and presses one drug, Infermiterol, that produces three-day blackouts. None of which is the stuff of comedy. But Moshfegh has a keen sense of everyday absurdities, a deadpan delivery, and such a well-honed sense of irony that the narrator’s predicament never feels tragic; this may be the finest existential novel not written by a French author. (Recovering from one blackout, the narrator thinks, “What had I done? Spent a spa day then gone out clubbing?...Had Reva convinced me to go ‘enjoy myself’ or something just as idiotic?”) Checking out of society the way the narrator does isn’t advisable, but there’s still a peculiar kind of uplift to the story in how it urges second-guessing the nature of our attachments while revealing how hard it is to break them.
A nervy modern-day rebellion tale that isn’t afraid to get dark or find humor in the darkness.Pub Date: July 10, 2018
ISBN: 978-0-525-52211-9
Page Count: 304
Publisher: Penguin Press
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
