A dozen years since they first made an appearance, and not a day older or wiser, Fleming’s three young cottontails return to bedevil Mr. McGreely (Muncha! Muncha! Muncha!, 2002, etc.).
The bunnies still have a few tricks up their sleeves to get under Mr. McGreely’s skin. Where once they ate his garden to the ground, now they are doing their unintended best to undermine his vacation, one he has taken expressly to get away from the “floppyeared, pufftailed twitchwhiskers.” They manage to stow away in his car, then happily join him on his beach towel. Mr. McGreely storms off to do some shell collecting (“No bunny—nohow, noway—is sharing my fun day”). He returns with paltry fragments that he is very proud of, only to find that the bunnies have found a trove of spectacular shells. His kite flies for two seconds—again, he’s very proud—while the bunnies paraglide with their kite, and so on. In the end, there is a message about teamwork, which is not to be ignored, but it is Fleming’s text that raises the bar of joy to such heights, with her quirky internal rhymes—“Tippy-Tippy-Tippy, grab!…Tippy-nab”—and descriptive language. Karas invests each character with acres of personality. It’s a happy reunion with the bunnies for children, if a dubious one for Mr. McGreely. (Picture book. 4-8)
Pub Date: March 25, 2014
ISBN: 978-1-4169-5403-3
Page Count: 40
Publisher: Atheneum
Review Posted Online: Nov. 30, 2013
Kirkus Reviews Issue: Dec. 15, 2013
Glowing illustrations enliven this tale of nature’s delights.
Nature at night offers a magical experience—one, sadly, now threatened by humans.
Diego, Lili, Chico the dog, Papa and Mama, and the young narrator, Sofia, are eager to view fireflies. They must be patient and quiet, until suddenly, it’s “like the sky dropped in!” as the air fills with sparkles. Sofia isn’t content just to dance with the fireflies; the child sets out to catch one—and does. Eventually the narrator’s possessiveness (“mine all mine”) gives way to empathy, and Sofia frees the firefly and then “flies” off, “wild and free” with the other children and Chico. Text includes both rhyming verses and dialogue. The meter isn’t always consistent, and some phrasing is awkward (“The porch is hot / with wiggly feet”). In the charming, collagelike art, the hot oranges of sunset give way to violet, turquoise, teal, and navy shades. Colors form simplified flat shapes, without lines; vegetation is stylized. The narrator and Papa wear glasses; Mama, Lili, and Sofia are brown-skinned, while Papa and Diego are pale-skinned. Backmatter conveys a lot of information about fireflies, including why they flash and where they can be found, but nowhere are we told what the titular firefly galaxy is, and the visuals don’t clarify that term.
Glowing illustrations enliven this tale of nature’s delights. (Picture book. 4-8)Pub Date: April 2, 2024
ISBN: 9798888590720
Page Count: 32
Publisher: Barefoot Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
A predictable ballet tale for die-hard Copeland fans or as an introduction to Coppélia.
A young ballerina takes on her first starring role.
Young Misty has just begun taking ballet when her teacher announces auditions for the classic ballet Coppélia. Misty listens spellbound as Miss Bradley tells the story of the toymaker who creates a doll so lifelike it threatens to steal a boy’s heart away from his betrothed, Swanilda. Paired with a kind classmate, Misty works hard to perfect the steps and wins the part she’s wanted all along: Swanilda. As the book closes, Misty and her fellow dancers take their triumphant opening-night bows. Written in third person, the narrative follows a linear structure, but the storyline lacks conflict and therefore urgency. It functions more as an introduction to Coppélia than anything else, despite the oddly chosen title. Even those unfamiliar with Copeland’s legendary status as the first black principal ballerina for the American Ballet Theatre will predict the trite ending. The illustrations are an attractive combination of warm brown, yellow, and rosy mahogany. However, this combination also obscures variations in skin tone, especially among Misty’s classmates. Misty and her mother are depicted with brown hair and brown skin; Miss Bradley has red hair and pale skin. Additionally, there’s a disappointing lack of body-type diversity; the dancers are depicted as uniformly skinny with extremely long limbs. The precise linework captures movement, yet the humanity of dance is missing. Many ballet steps are illustrated clearly, but some might confuse readers unfamiliar with ballet terminology. (This book was reviewed digitally with 10.5-by-18-inch double-page spreads viewed at 48% of actual size.)
A predictable ballet tale for die-hard Copeland fans or as an introduction to Coppélia. (Picture book. 5-8)Pub Date: Sept. 29, 2020
ISBN: 978-0-399-54764-5
Page Count: 32
Publisher: Putnam
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
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