A predictable ballet tale for die-hard Copeland fans or as an introduction to Coppélia.

BUNHEADS

A young ballerina takes on her first starring role.

Young Misty has just begun taking ballet when her teacher announces auditions for the classic ballet Coppélia. Misty listens spellbound as Miss Bradley tells the story of the toymaker who creates a doll so lifelike it threatens to steal a boy’s heart away from his betrothed, Swanilda. Paired with a kind classmate, Misty works hard to perfect the steps and wins the part she’s wanted all along: Swanilda. As the book closes, Misty and her fellow dancers take their triumphant opening-night bows. Written in third person, the narrative follows a linear structure, but the storyline lacks conflict and therefore urgency. It functions more as an introduction to Coppélia than anything else, despite the oddly chosen title. Even those unfamiliar with Copeland’s legendary status as the first black principal ballerina for the American Ballet Theatre will predict the trite ending. The illustrations are an attractive combination of warm brown, yellow, and rosy mahogany. However, this combination also obscures variations in skin tone, especially among Misty’s classmates. Misty and her mother are depicted with brown hair and brown skin; Miss Bradley has red hair and pale skin. Additionally, there’s a disappointing lack of body-type diversity; the dancers are depicted as uniformly skinny with extremely long limbs. The precise linework captures movement, yet the humanity of dance is missing. Many ballet steps are illustrated clearly, but some might confuse readers unfamiliar with ballet terminology. (This book was reviewed digitally with 10.5-by-18-inch double-page spreads viewed at 48% of actual size.)

A predictable ballet tale for die-hard Copeland fans or as an introduction to Coppélia. (Picture book. 5-8)

Pub Date: Sept. 29, 2020

ISBN: 978-0-399-54764-5

Page Count: 32

Publisher: Putnam

Review Posted Online: June 16, 2020

Kirkus Reviews Issue: July 1, 2020

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The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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Everything that readers have come to love about the Elephant & Piggie books is present—masterful pacing, easy-to-follow,...

MY NEW FRIEND IS SO FUN!

From the Elephant & Piggie series

Can Gerald and Piggie’s friendship withstand the friendly overtures of Brian Bat?

When Snake informs Gerald that Piggie is playing with Brian Bat, he is at first complacent. Brian is “nice,” he observes; Snake concurs—after all, he says, “Brian is my Best Friend!” Their mutual reflection that Piggie and Brian “must be having a super-duper fun time!” turns, however, to paranoia when they realize that if their best pals “are having that much fun together, then… / …maybe they do not need us” (that last is printed in teeny-tiny, utterly demoralized type). Gerald and Snake dash/slither to put an end to the fun. Their fears are confirmed when the two new buddies tell them they have “been playing BEST FRIEND GAMES!”—which, it turns out, means making drawings of their respective best friends, Gerald and Snake. Awww. While the buildup to the friends’ confrontation is characteristically funny, there’s a certain feeling of anticlimax to the story’s resolution. How many young children, when playing with a new friend, are likely to spend their time thinking of the friends that they are not playing with? This is unfortunate, as the emotions that Gerald and Snake experience are realistic and profound, deserving of more than a platitudinous, unrealistic response.

Everything that readers have come to love about the Elephant & Piggie books is present—masterful pacing, easy-to-follow, color-coded speech bubbles, hilarious body language—except an emotionally satisfying ending. (Early reader. 6-8)

Pub Date: June 3, 2014

ISBN: 978-1-4231-7958-0

Page Count: 64

Publisher: Hyperion

Review Posted Online: May 4, 2014

Kirkus Reviews Issue: May 15, 2014

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