by Candace Simar ‧ RELEASE DATE: May 15, 2015
A moving, disturbing, and hilarious story of postwar rural America.
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A Scandinavian community experiences trials and small triumphs in this novel set in post–World War II Minnesota.
Capable Tia Fiskum, unlike many other young people in Tolga Township, longs to one day take over her family’s farm. Her dreams are shattered, though, when the man she loves, Clyde Hanson, marries a town girl, Vera, who’s repulsed by farm life and dreams of running away to California. Meanwhile, Frieda Carlson, the young German wife of a war veteran, struggles with her English and the provincialism of her Norwegian neighbors. When Tia’s brother Norman returns from the army, everyone assumes that he’ll take over the farm that Tia covets. But his alcoholism and wanderlust instead drive Tia to shield Norman from scandal—particularly from Tillie, the eavesdropping town gossip. It was Norman who planted the shelterbelts, rows of trees that form a windbreak, around the town. Just as some of those trees have fallen while others have remained upright, some of the residents of Tolga Township fall to tragedy while others draw upon reserves of strength from unlikely sources—even the supernatural: when Nels Carlson claims a miraculous recovery from arthritis, the town’s good Lutherans fear that he’s become a fanatic. This latest novel by Simar (Blooming Prairie, 2012, etc.) is an engrossing portrayal of Norwegian farmers whose passive aggression tamps down their real passions. Each chapter is written from a different point of view, some in first person and some in third, and through them, Simar weaves a tale of longing, jealousy, rage, lies, and joy. Although the characters often back-stab one another, they also come together with genuine warmth when one of them is in trouble. Characters that could have been clichéd are instead made fresh by Simar’s revelations of their fears and hopes. The humor is appropriately subtle and sarcastic, and the descriptions (“Gunda Olson unfolded from the kitchen chair like a rusty pocket knife”) are delightful.
A moving, disturbing, and hilarious story of postwar rural America.Pub Date: May 15, 2015
ISBN: 978-0-87839-817-1
Page Count: 160
Publisher: North Star Press of St. Cloud
Review Posted Online: Aug. 6, 2015
Kirkus Reviews Issue: Oct. 1, 2015
Review Program: Kirkus Indie
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by George Saunders ‧ RELEASE DATE: Feb. 14, 2017
With this book, Saunders asserts a complex and disturbing vision in which society and cosmos blur.
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Short-story virtuoso Saunders' (Tenth of December, 2013, etc.) first novel is an exhilarating change of pace.
The bardo is a key concept of Tibetan Buddhism: a middle, or liminal, spiritual landscape where we are sent between physical lives. It's also a fitting master metaphor for Saunders’ first novel, which is about suspension: historical, personal, familial, and otherwise. The Lincoln of the title is our 16th president, sort of, although he is not yet dead. Rather, he is in a despair so deep it cannot be called mere mourning over his 11-year-old son, Willie, who died of typhoid in 1862. Saunders deftly interweaves historical accounts with his own fragmentary, multivoiced narration as young Willie is visited in the netherworld by his father, who somehow manages to bridge the gap between the living and the dead, at least temporarily. But the sneaky brilliance of the book is in the way Saunders uses these encounters—not so much to excavate an individual’s sense of loss as to connect it to a more national state of disarray. 1862, after all, was the height of the Civil War, when the outcome was far from assured. Lincoln was widely seen as being out of his depth, “a person of very inferior cast of character, wholly unequal to the crisis.” Among Saunders’ most essential insights is that, in his grief over Willie, Lincoln began to develop a hard-edged empathy, out of which he decided that “the swiftest halt to the [war] (therefore the greatest mercy) might be the bloodiest.” This is a hard truth, insisting that brutality now might save lives later, and it gives this novel a bitter moral edge. For those familiar with Saunders’ astonishing short fiction, such complexity is hardly unexpected, although this book is a departure for him stylistically and formally; longer, yes, but also more of a collage, a convocation of voices that overlap and argue, enlarging the scope of the narrative. It is also ruthless and relentless in its evocation not only of Lincoln and his quandary, but also of the tenuous existential state shared by all of us. Lincoln, after all, has become a shade now, like all the ghosts who populate this book. “Strange, isn’t it?” one character reflects. “To have dedicated one’s life to a certain venture, neglecting other aspects of one’s life, only to have that venture, in the end, amount to nothing at all, the products of one’s labors utterly forgotten?”
With this book, Saunders asserts a complex and disturbing vision in which society and cosmos blur.Pub Date: Feb. 14, 2017
ISBN: 978-0-8129-9534-3
Page Count: 342
Publisher: Random House
Review Posted Online: May 2, 2016
Kirkus Reviews Issue: May 15, 2016
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by Kevin Hearne ‧ RELEASE DATE: Feb. 4, 2020
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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