by Delilah S. Dawson & Kevin Hearne ‧ RELEASE DATE: July 17, 2018
Tolkien’s Fellowship of the Ring on laughing gas.
A rollicking fantasy adventure that upends numerous genre tropes in audacious style, the first installment of Dawson and Hearne’s Tales of Pell series is a laugh-out-loud-funny fusion of Monty Python–esque humor and whimsy à la Terry Pratchett’s Discworld.
Worstley is a lowly farm boy who reeks of feces and angst. But when a nose-picking pixie informs him that he's the Chosen One and that he has a destiny, he sets off with a talking billy goat named Gustave to fulfill his glorious fate. Fia is a 7-foot tall warrioress who wears a chain-mail bikini and is on a quest of her own: to locate a rare flower allegedly high up in a magical tower. Poltro, the Dark Lord’s inept huntswoman, who is deathly afraid of chickens, is sent to locate the Chosen One and bring his heart back to her master. Their paths eventually converge when Fia, attempting to climb the thorn-infested magic tower via a rope made of human hair, falls and lands on Worstley, quite possibly killing him. In an effort to somehow save his life, Fia takes the Chosen One’s body and climbs back up the tower, laying him in a bed next to a princess who has been magically sleeping for decades. While exiting the tower, Fia meets Argabella, a female bard who has been cursed to look like a giant bunny. After collecting a Sand Witch named Grinda and Toby, the Dark Lord (who wears a fanny pack), the group of misfits sets off to rid the kingdom of the evil genius behind the terrible curses. The overturning of so many hackneyed fantasy conventions is a delight, as are the countless puns and jokes. But the narrative momentum suffers at times because the authors are so focused on the humor.
Tolkien’s Fellowship of the Ring on laughing gas.Pub Date: July 17, 2018
ISBN: 978-1-5247-9774-4
Page Count: 384
Publisher: Del Rey
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
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by Delilah S. Dawson ; illustrated by Matias Basla
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
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New York Times Bestseller
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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