A warm and welcome story for emerging readers and their families.

PUMPKIN DAY!

Pumpkins star in this family-centered early reader.

Sketched in rhyming, easy-to-read couplets, this familiar autumn setting is made even warmer by the sweet  family that is making a trip to the pumpkin farm. “Sunny day. Pack a lunch. / In the treetops squirrels munch.” So begins the story of a black mother and father and their young son and daughter. They find their special pumpkins and return home for carving, just in time for trick-or-treating. Mother and father are shown walking hand in hand or gently guiding their youngsters, who are very excited to pick out the perfect gourd. Read aloud, the predictable rhyme scans well, making this a book for emerging readers to read over and over, gaining confidence each time. The full-color illustrations, full of oranges and yellows, match the words, providing important visual cues. Little ones will laugh when the younger brother initially finds a huge pumpkin and rolls it over the hill like a bowling ball. “Thump! Thump! Thump! Then… / Uh-oh!” Eventually, he finds one just the right size for carving. Children of color are remarkably absent in the easy-reader stacks, so it’s an especially welcome treat to see them in this rural setting. Preschool and kindergarten teachers will want to add this to their collections.

A warm and welcome story for emerging readers and their families. (Early reader. 3-6)

Pub Date: Aug. 25, 2015

ISBN: 978-0-553-51341-7

Page Count: 32

Publisher: Random House

Review Posted Online: April 29, 2015

Kirkus Reviews Issue: May 15, 2015

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Safe to creep on by.

LOVE FROM THE VERY HUNGRY CATERPILLAR

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 2, 2021

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As ephemeral as a valentine.

LOVE FROM THE CRAYONS

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 2, 2021

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