Children will return often to enjoy the interactive opportunities and the harmony that prevails.
In the spirit of Aesop, the 2016 Hans Christian Andersen winner weaves an animal fable set in the grasslands.
Seven creatures are desperate for relief from the sweltering sun. After they argue and vie for a spot under the single tree, the elephant muscles his way underneath. The sight of the giant trying to cool off under several tiny leaves is so hilarious the animals burst into laughter. Their attention is diverted by the sight of a child walking by in his father’s shadow. In a brilliant design feature, the next six pages are cut to gradually increase in width, moving from 3 ½ inches to 10 inches, as each creature, starting with the lynx, crosses the gutter to offer shade to smaller beings. Yu cleverly contrasts a lineup of wilting figures rendered in pencil on the verso with smiling, colorful, cut-paper versions on subsequent rectos. Before the page turns, viewers can spot a silhouetted portion of the next animal’s shadow, setting up a guessing game. Ultimately, a natural solution offers coolness for all. Touches of internal rhyme, alliteration, foreshadowing, and descriptive specificity elevate the telling: “Hens doze in the dusty shade of haystacks, and the melon farmer fans himself, under a canopy.” As in fables of yesteryear, Cao holds a mirror to selfishness as well as to an individual’s ability to transcend that tendency.
Children will return often to enjoy the interactive opportunities and the harmony that prevails. (Picture book. 3-6)Pub Date: May 7, 2019
ISBN: 978-1-250-31006-4
Page Count: 48
Publisher: Imprint
Review Posted Online: March 2, 2019
Kirkus Reviews Issue: March 15, 2019
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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