A dynamic celebration with all-ages appeal.
Debut author/illustrator Reese’s alphabet picture book highlights Black artists, including painters, singers, musicians, photographers, dancers, and writers.
This beautiful abecedarian features 26 profoundly accomplished creatives, and although the book is specifically crafted for children, adults won’t want to miss out on it. Using the first or last names of subjects to represent each letter, Reese captures her notable subjects with brief, informative biographical notes as well as dynamic free-form poetry. The letter F represents Ella Fitzgerald: “Scatting bouncy song-bird notes / Full of light with hop-scotch perfection.” L is for modernist painter and muralist Jacob Lawrence: “Narrating African American migration, / Through a sharp and jagged history.” Vocalist, musician, and civil rights activist Nina Simone (N) is described in the text as an “African goddess of ocean-blue songs / A roaring voice of change and revolution.” Reese cleverly solves the X dilemma with “X is for 2 times the talent,” referring to the Nicholas Brothers, a famed tap-dancing duo. The book’s vivid illustrations mix abstract art, cartoons, line drawings, and other representational styles with images of objects and designs (books, a paint palette, pencils, and so on) that reflect the practices and spirits of those profiled.
A dynamic celebration with all-ages appeal.Pub Date: Nov. 28, 2022
ISBN: 9781088057285
Page Count: 58
Publisher: Bea and Jo Press
Review Posted Online: Jan. 16, 2023
Kirkus Reviews Issue: March 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
A picture book worth reading about a historical figure worth remembering.
An honestly told biography of an important politician whose name every American should know.
Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.
A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)Pub Date: April 1, 2015
ISBN: 978-0-8028-5379-0
Page Count: 50
Publisher: Eerdmans
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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