An unsparing account of “rich people problems” that goes on forever, like all the best nightmares.

SWEET WATER

Reinard’s novel plunges a perfect family into a horrible situation whose horrors steadily deepen.

Having attended Carnegie Mellon University on a scholarship because her father, Victor Denning, was head of campus maintenance there, Sarah Ellsworth has landed in the lap of luxury, married to the younger son of wealthy, well-connected William Ellsworth and installed in the house she’s called Stonehenge ever since she and her father used to drive past it years ago. A phone call from her teenage son, Finn, threatens to bring it all crashing down. Following Finn’s iPhone location when he’s unable to tell them where he is, Sarah and Martin Ellsworth, the whiz-kid CEO of a robotics startup, find him in the woods along with the body of Yazmin Veltri, his girlfriend from the other side of the tracks. She’s been bashed to death, and Finn is the overwhelmingly obvious suspect. The Ellsworths swiftly close ranks to contain the threat, cleaning up the evidence implicating Finn and rehearsing him in a story that contains just enough facts to be plausible. Sarah, at once desperate to protect her son and sickened that she’s falling in so easily with the coverup planned by her husband’s family, is still further distressed by a meeting with Yazmin’s mother, Alisha, who demands the return of a tell-all journal her daughter had been keeping. Martin’s cousin Alton Pembroke, the sheriff in charge of the case, says he doesn’t have it. Sarah’s search leads her to Yazmin’s music teacher, Joshua Louden, who just happens to be Sarah’s first love from the days when his own family lived in Stonehenge.

An unsparing account of “rich people problems” that goes on forever, like all the best nightmares.

Pub Date: Jan. 1, 2021

ISBN: 978-1-5420-2493-8

Page Count: 364

Publisher: Thomas & Mercer

Review Posted Online: Sept. 16, 2020

Kirkus Reviews Issue: Oct. 1, 2020

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Top-drawer crime fiction. The authors are tough on the hero, but the hero is tough.

THE RED BOOK

Patterson and Ellis put their characters through hell in this hard-edged second installment of their Black Book series after The Black Book (2017).

A young girl is one of four people gunned down in a “very, very bad” K-Town drive-by shooting in Chicago. Police are under intense political pressure to solve it, so Detective Billy Harney is assigned to the Special Operations Section to put the brakes on the gang violence on the West Side. His new partner is Detective Carla Griffin, whom colleagues describe as “sober as an undertaker” and “as fun as a case of hemorrhoids.” And she looks like the last thing he needs, a pill popper. (But is she?) Department muckety-mucks want Harney to fail, and Griffin is supposed to spy on him. The poor guy already has a hell of a backstory: His daughter died and his wife committed suicide (or did she?) four years earlier, he’s been shot in the head, charged with murder (and exonerated), and helped put his own father in prison. (Nothing like a tormented hero!) Now the deaths still haunt him while he and Griffin begin to suspect they’re not looking at a simple turf war starring the Imperial Gangster Nation. Meanwhile, the captain in Internal Affairs is deep in the pocket of some bad guys who run an international human trafficking ring, and he loathes Harney. The protagonist is lucky to have Patti, his sister and fellow detective, as his one reliable friend who lets him know he’s being set up. The authors do masterful work creating flawed characters to root for or against, and they certainly pile up the troubles for Billy Harney. Abundant nasty twists will hold readers’ rapt attention in this dark, violent, and fast-moving thriller.

Top-drawer crime fiction. The authors are tough on the hero, but the hero is tough.

Pub Date: March 29, 2021

ISBN: 978-0-316-49940-8

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Dec. 15, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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