A fresh, funny, and striking experimental work with surprises at every turn.
A writing professor receives an unwanted package from her father and ends up a cowherd at a rural art museum.
At the opening of Beilin’s new novel, a 36-year-old woman named Iris has just received an upsetting delivery containing dispatches from a traumatic childhood: two letters her father wrote to her during her adolescence and an unfinished play she wrote during those same years, all of which her father has just uncovered while cleaning out his house. As Iris prepares to meet her friend Ray at a cafe in Philadelphia, she meditates on the abuse she experienced in her family; meanwhile, her rheumatoid arthritis flares up, and the pain in her feet causes the feet to take on lives of their own (they’re named after characters in a Flaubert novel; this is the sort of intellectual content that populates Iris' rich inner life and thus the novel). After talking with Ray about children who are made scapegoats by their families, Iris and her feet set off on a northward journey, in which she trades her gritty Philadelphia for the bucolic backdrop of a rural art museum in New England, “the mARTin,” where she takes on a new identity and becomes a cowherd. At the mARTin, nothing is as expected. Beilin navigates this slip into the surreal with ease and grace; though the narrative is, at times, profoundly strange, it's never hard to follow. Most impressive, perhaps, is the darkly comic strain that persists throughout the novel; though the narrative involves childhood trauma, domestic abuse, addiction, medical exploitation, and the Holocaust, Iris’ wholly unique voice makes for a very funny work. This wide-ranging, idea-driven novel leaves the reader with much to think about, deftly provoking questions about the nature and ethics of trauma and contemporary art.
A fresh, funny, and striking experimental work with surprises at every turn.Pub Date: April 1, 2022
ISBN: 978-1-948980-07-4
Page Count: 176
Publisher: Dorothy
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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